Jumat, 05 April 2013

[M437.Ebook] Download PDF The Structure of Singing: System and Art in Vocal Technique, by Richard Miller

Download PDF The Structure of Singing: System and Art in Vocal Technique, by Richard Miller

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The Structure of Singing: System and Art in Vocal Technique, by Richard Miller

The Structure of Singing: System and Art in Vocal Technique, by Richard Miller



The Structure of Singing: System and Art in Vocal Technique, by Richard Miller

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The Structure of Singing: System and Art in Vocal Technique, by Richard Miller

Combining the physical, technical, and artistic aspects of singing, the author applies current findings in medicine, acoustics, phonetics, and speech therapy to the singer's needs. The text demonstrates the scientific basis of exercises and vocalises, covering all major areas of vocal technique.

  • Sales Rank: #546353 in Books
  • Color: Burgundy/maroon
  • Published on: 1986-10-21
  • Format: Deluxe Edition
  • Original language: English
  • Number of items: 1
  • Dimensions: .95" h x 6.15" w x 9.20" l, 1.28 pounds
  • Binding: Paperback
  • 400 pages

Review
1. The Coordinated Vocal Onset and Release: Establishing Dynamic Muscle Equilibrium through Onset and Release. 2. The Supported Singing Voice: Breath Management in Singing. 3. Agility in Singing: Flexible Application of Breath Power. 4. The Resonant Voice: Supraglottic Considerations in Singing. 5. The Well-balanced Vowel: Vowel Differentiation in Singing. 6. Resonance Balancing through Nasal Consonants: The Influences of Nasal Continuants on Resonator Adjustment. 7. Resonance Balancing through Non-nasal Consonants: The Influence of Non-nasal Consonants on Resonator Adjustment. 8. Sustaining the Voice: Sostenuto. 9. Unifying the Registers of Male Voices. 10. Unifying the Registers of the Female Voice. 11. Vowel Modification in Singing: aggiustamento. 12. Range Extension and Stabilization in Singing. 13. Messa di voce and Dynamic Control. 14. Vibrancy in Singing: Vibrato and Vocal Timbre. 15. Coordinating Technique and Communication. 16. Pedagogical Attitudes: The Aesthetics of Vocal Timbre. 17. Healthy Singing. Appendixes. Glossary of Nonmusical Terms. Glossary of Vocal Terms. Bibliography. Index.

Most helpful customer reviews

70 of 74 people found the following review helpful.
Excellent, but NOT for those who are uneducated about singin
By BDSinC
This may sound pompous, that is, saying what I say in the title of my review. This book is excellent, and it is the first one I read by Richard Miller. However, I have sang for decades, had a career, and teach voice. I have a background in understanding what he is talking about. I read the reviews that rated this book a one star, and quite frankly, I can see why such a person would do that. It was evident by the reviews that these people, though they want to sing and love doing it, are still looking for that "one perfect exercise" that will create their "soon to be famous voice." This book will not do that for you. Firstly, there is no such thing as a "singing made simple" book, even though there are plenty of them out there that claim such a thing is possible. It is true one doesn't need to understand all there is to know about singing to sing well, but one does have a greater appreciation for what they are doing if they learn more than the basic scales.

This book does try to help people understand the physical functionings of the voice, which techniques out there actually work against good vocal production and which things support it. All of that can be very confusing if you are not somewhat knowledgeable of singing technique.

That is why I say, this book is NOT for those who are not educated in singing, or who are seeking a quick fix for some vocal problem they may have, or who simply think reading a book on voice will make them the winners of the NEXT AMERICAN IDOL. Personally, I think this book is more valuable to teachers than anyone, but it is excellent for serious students who wish to learn more about what is happening in their bodies as they sing.

None of Richard Miller's books are an easy read, and in fact, they are very academic in nature and in word usage, and they presuppose the reader has a very active background in vocal terminalogy.

I recommend all his books for those who are studying and most especially to those who teach. I don't recommend any of them to those who are wanting the "quick fix" to stardom. One thing all readers of his works need is a very detailed understanding of their own bodies, and what they do while they sing. Only then will the information he gives really help you, for only then will you see if you are using your muscles correctly or if you are not.

Miller's books on singing, as excellent as I think they are, are not for everyone. Buy this book only if you are sure you know it contains what you are able to understand. I recommend borrowing his books from public libraries before you buy them, then you will be able, without having spent the price, to see if they help you. Once you see how good they are, then buying them is an excellent idea.

41 of 43 people found the following review helpful.
Insightful
By sundudeje@aol.com
One of the most insightful books I have read. Mr. Millers book is so well thought out. The material is so well researched that it sometimes feels like one is reading a research paper. Do not let this discourage you from buying it, however, because it never gets boring. It is a very useful tool for any person who wants to improve his voice. I noticed results withing a few days of reading the book and I have to admit I haven't even tried all the exercises. This book is also not always easy to understand but Mr. Miller does his best to help by adding an appendix and even a glossary of vocal terms! Definitely worth your money if your seeking to better your voice, even if it is not for a professional career.

7 of 7 people found the following review helpful.
Buy this book
By Anthony Rocha
If you want to learn how to sing - and add a few new words to your vocabulary, get this book. To those reviewers who find fault with Mr. Millers fancy words: Grow up and get yourself a freakin' thesaurus and/or a dictionary. This book is full of info on singing, from breathing to forming vowels to taking care of the voice. Lots of exercises. I've read other books on singing, but this book is better than any of them. If this book doesn't make you a better singer, then it might be time to think about taking up mime instead. So, do yourself a favor - buy this book.

See all 41 customer reviews...

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Kamis, 04 April 2013

[P525.Ebook] Free Ebook Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen, by Christopher McDougall

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Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen, by Christopher McDougall

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Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen, by Christopher McDougall

An epic adventure that began with one simple question: Why does my foot hurt?
 
Isolated by Mexico's deadly Copper Canyons, the blissful Tarahumara Indians have honed the ability to run hundreds of miles without rest or injury. In a riveting narrative, award-winning journalist and often-injured runner Christopher McDougall sets out to discover their secrets. In the process, he takes his readers from science labs at Harvard to the sun-baked valleys and freezing peaks across North America, where ever-growing numbers of ultra-runners are pushing their bodies to the limit, and, finally, to a climactic race in the Copper Canyons that pits America’s best ultra-runners against the tribe. McDougall’s incredible story will not only engage your mind but inspire your body when you realize that you, indeed all of us, were born to run.

  • Sales Rank: #972 in Books
  • Size: One Size
  • Color: Paperback
  • Brand: Random House
  • Model: 16065527
  • Published on: 2011-03-29
  • Released on: 2011-03-29
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.94" h x .89" w x 5.13" l, .71 pounds
  • Binding: Paperback
  • 304 pages
Features
  • Born To Run
  • Christopher Mcdougall
  • Fitness

Amazon.com Review
Book Description
Full of incredible characters, amazing athletic achievements, cutting-edge science, and, most of all, pure inspiration, Born to Run is an epic adventure that began with one simple question: Why does my foot hurt? In search of an answer, Christopher McDougall sets off to find a tribe of the world’s greatest distance runners and learn their secrets, and in the process shows us that everything we thought we knew about running is wrong.

Isolated by the most savage terrain in North America, the reclusive Tarahumara Indians of Mexico’s deadly Copper Canyons are custodians of a lost art. For centuries they have practiced techniques that allow them to run hundreds of miles without rest and chase down anything from a deer to an Olympic marathoner while enjoying every mile of it. Their superhuman talent is matched by uncanny health and serenity, leaving the Tarahumara immune to the diseases and strife that plague modern existence. With the help of Caballo Blanco, a mysterious loner who lives among the tribe, the author was able not only to uncover the secrets of the Tarahumara but also to find his own inner ultra-athlete, as he trained for the challenge of a lifetime: a fifty-mile race through the heart of Tarahumara country pitting the tribe against an odd band of Americans, including a star ultramarathoner, a beautiful young surfer, and a barefoot wonder.

With a sharp wit and wild exuberance, McDougall takes us from the high-tech science labs at Harvard to the sun-baked valleys and freezing peaks across North America, where ever-growing numbers of ultrarunners are pushing their bodies to the limit, and, finally, to the climactic race in the Copper Canyons. Born to Run is that rare book that will not only engage your mind but inspire your body when you realize that the secret to happiness is right at your feet, and that you, indeed all of us, were born to run.


Amazon Exclusive: A Q&A with Christopher McDougall

Question: Born to Run explores the life and running habits of the Tarahumara Indians of Mexico’s Copper Canyon, arguably the greatest distance runners in the world. What are some of the secrets you learned from them?

Christopher McDougall: The key secret hit me like a thunderbolt. It was so simple, yet such a jolt. It was this: everything I’d been taught about running was wrong. We treat running in the modern world the same way we treat childbirth—it’s going to hurt, and requires special exercises and equipment, and the best you can hope for is to get it over with quickly with minimal damage.

Then I meet the Tarahumara, and they’re having a blast. They remember what it’s like to love running, and it lets them blaze through the canyons like dolphins rocketing through waves. For them, running isn’t work. It isn’t a punishment for eating. It’s fine art, like it was for our ancestors. Way before we were scratching pictures on caves or beating rhythms on hollow trees, we were perfecting the art of combining our breath and mind and muscles into fluid self-propulsion over wild terrain. And when our ancestors finally did make their first cave paintings, what were the first designs? A downward slash, lightning bolts through the bottom and middle—behold, the Running Man.

The Tarahumara have a saying: “Children run before they can walk.” Watch any four-year-old—they do everything at full speed, and it’s all about fun. That’s the most important thing I picked up from my time in the Copper Canyons, the understanding that running can be fast and fun and spontaneous, and when it is, you feel like you can go forever. But all of that begins with your feet. Strange as it sounds, the Tarahumara taught me to change my relationship with the ground. Instead of hammering down on my heels, the way I’d been taught all my life, I learned to run lightly and gently on the balls of my feet. The day I mastered it was the last day I was ever injured.

Q: You trained for your first ultramarathon—a race organized by the mysterious gringo expat Caballo Blanco between the Tarahumara and some of America’s top ultrarunners—while researching and writing this book. What was your training like?

CM: It really started as kind of a dare. Just by chance, I’d met an adventure-sports coach from Jackson Hole, Wyoming named Eric Orton. Eric’s specialty is tearing endurance sports down to their basic components and looking for transferable skills. He studies rock climbing to find shoulder techniques for kayakers, and applies Nordic skiing’s smooth propulsion to mountain biking. What he’s looking for are basic engineering principles, because he’s convinced that the next big leap forward in fitness won’t come from strength or technology, but plain, simple durability. With some 70% of all runners getting hurt every year, the athlete who can stay healthy and avoid injury will leave the competition behind.

So naturally, Eric idolized the Tarahumara. Any tribe that has 90-year-old men running across mountaintops obviously has a few training tips up its sleeve. But since Eric had never actually met the Tarahumara, he had to deduce their methods by pure reasoning. His starting point was uncertainty; he assumed that the Tarahumara step into the unknown every time they leave their caves, because they never know how fast they’ll have to sprint after a rabbit or how tricky the climbing will be if they’re caught in a storm. They never even know how long a race will be until they step up to the starting line—the distance is only determined in a last-minute bout of negotiating and could stretch anywhere from 50 miles to 200-plus.

Eric figured shock and awe was the best way for me to build durability and mimic Tarahumara-style running. He’d throw something new at me every day—hopping drills, lunges, mile intervals—and lots and lots of hills. There was no such thing, really, as long, slow distance—he’d have me mix lots of hill repeats and short bursts of speed into every mega-long run.

I didn’t think I could do it without breaking down, and I told Eric that from the start. I basically defied him to turn me into a runner. And by the end of nine months, I was cranking out four hour runs without a problem.

Q: You’re a six-foot four-inches tall, 200-plus pound guy—not anyone’s typical vision of a distance runner, yet you’ve completed ultra marathons and are training for more. Is there a body type for running, as many of us assume, or are all humans built to run?

CM: Yeah, I’m a big’un. But isn’t it sad that’s even a reasonable question? I bought into that bull for a loooong time. Why wouldn’t I? I was constantly being told by people who should know better that “some bodies aren’t designed for running.” One of the best sports medicine physicians in the country told me exactly that—that the reason I was constantly getting hurt is because I was too big to handle the impact shock from my feet hitting the ground. Just recently, I interviewed a nationally-known sports podiatrist who said, “You know, we didn’t ALL evolve to run away from saber-toothed tigers.” Meaning, what? That anyone who isn’t sleek as a Kenyan marathoner should be extinct? It’s such illogical blather—all kinds of body types exist today, so obviously they DID evolve to move quickly on their feet. It’s really awful that so many doctors are reinforcing this learned helplessness, this idea that you have to be some kind of elite being to handle such a basic, universal movement.

Q: If humans are born to run, as you argue, what’s your advice for a runner who is looking to make the leap from shorter road races to marathons, or marathons to ultramarathons? Is running really for everyone?

CM: I think ultrarunning is America’s hope for the future. Honestly. The ultrarunners have got a hold of some powerful wisdom. You can see it at the starting line of any ultra race. I showed up at the Leadville Trail 100 expecting to see a bunch of hollow-eyed Skeletors, and instead it was, “Whoah! Get a load of the hotties!” Ultra runners tend to be amazingly healthy, youthful and—believe it or not—good looking. I couldn’t figure out why, until one runner explained that throughout history, the four basic ingredients for optimal health have been clean air, good food, fresh water and low stress. And that, to a T, describes the daily life of an ultrarunner. They’re out in the woods for hours at a time, breathing pine-scented breezes, eating small bursts of digestible food, downing water by the gallons, and feeling their stress melt away with the miles. But here’s the real key to that kingdom: you have to relax and enjoy the run. No one cares how fast you run 50 miles, so ultrarunners don’t really stress about times. They’re out to enjoy the run and finish strong, not shave a few inconsequential seconds off a personal best. And that’s the best way to transition up to big mileage races: as coach Eric told me, “If it feels like work, you’re working too hard.”

Q: You write that distance running is the great equalizer of age and gender. Can you explain?

CM: Okay, I’ll answer that question with a question: Starting at age nineteen, runners get faster every year until they hit their peak at twenty-seven. After twenty-seven, they start to decline. So if it takes you eight years to reach your peak, how many years does it take for you to regress back to the same speed you were running at nineteen?

Go ahead, guess all you want. No one I’ve asked has ever come close. It’s in the book, so I won’t give it away, but I guarantee when you hear the answer, you’ll say, “No way. THAT old?” Now, factor in this: ultra races are the only sport in the world in which women can go toe-to-toe with men and hand them their heads. Ann Trason and Krissy Moehl often beat every man in the field in some ultraraces, while Emily Baer recently finished in the Top 10 at the Hardrock 100 while stopping to breastfeed her baby at the water stations.

So how’s that possible? According to a new body of research, it’s because humans are the greatest distance runners on earth. We may not be fast, but we’re born with such remarkable natural endurance that humans are fully capable of outrunning horses, cheetahs and antelopes. That’s because we once hunted in packs and on foot; all of us, men and women alike, young and old together.

Q: One of the fascinating parts of Born to Run is your report on how the ultrarunners eat—salad for breakfast, wraps with hummus mid-run, or pizza and beer the night before a run. As a runner with a lot of miles behind him, what are your thoughts on nutrition for running?

CM: Live every day like you’re on the lam. If you’ve got to be ready to pick up and haul butt at a moment’s notice, you’re not going to be loading up on gut-busting meals. I thought I’d have to go on some kind of prison-camp diet to get ready for an ultra, but the best advice I got came from coach Eric, who told me to just worry about the running and the eating would take care of itself. And he was right, sort of. I instinctively began eating smaller, more digestible meals as my miles increased, but then I went behind his back and consulted with the great Dr. Ruth Heidrich, an Ironman triathlete who lives on a vegan diet. She’s the one who gave me the idea of having salad for breakfast, and it’s a fantastic tip. The truth is, many of the greatest endurance athletes of all time lived on fruits and vegetables. You can get away with garbage for a while, but you pay for it in the long haul. In the book, I describe how Jenn Shelton and Billy “Bonehead” Barnett like to chow pizza and Mountain Dew in the middle of 100-mile races, but Jenn is also a vegetarian who most days lives on veggie burgers and grapes.

Q: In this difficult financial time, we’re experiencing yet another surge in the popularity of running. Can you explain this?

CM: When things look worst, we run the most. Three times, America has seen distance-running skyrocket and it’s always in the midst of a national crisis. The first boom came during the Great Depression; the next was in the ‘70s, when we were struggling to recover from a recession, race riots, assassinations, a criminal President and an awful war. And the third boom? One year after the Sept. 11 attacks, trailrunning suddenly became the fastest-growing outdoor sport in the country. I think there’s a trigger in the human psyche that activates our first and greatest survival skill whenever we see the shadow of approaching raptors.

(Photo © James Rexroad)

From Booklist
From the depths of Mexico’s Copper Canyon to the heights of the Leadville Trail 100 ultramarathon in Colorado, from the centuries-old running techniques of Mexico’s Tarahumara tribe to a research lab at the University of Utah, author McDougall celebrates, in this engaging and picaresque account, humankind’s innate love of running. There are rogues aplenty here, such the deadly narco-traffickers who roam Copper Canyon, but there are many more who inspire, such as the Tarahumara runners, who show the rest of the world the false limitations we place on human endurance. McDougall has served as an Associated Press war correspondent, is a contributing editor to Men’s Health, and runs at his home in rural Pennsylvania, and he brings all of these experiences to bear in this slyly important, highly readable account. --Alan Moores

Review

"A tale so mind-blowing as to be the stuff of legend." —The Denver Post

"McDougall's book reminded me of why I love to run." —Bill Rodgers, San Francisco Chronicle

"Fascinating. . . . Thrilling. . . . An operatic ode to the joys of running." —The Washington Post
 
“It’s a great book. . . . A really gripping read. . . .Unbelievable story . . . a really phenomenal book.” —Jon Stewart on The Daily Show

"One of the most entertaining running books ever." —Amby Burfoot, Runnersworld.com
 
“Equal parts quest, physiology treatise, and running history. . . . [McDougall] seeks to learn the secrets of the Tarahumara the old-fashioned way: He tracks them down. . . . The climactic race reads like a sprint. . . . It simply makes you want to run.” —Outside Magazine
 
“McDougall recounts his quest to understand near superhuman ultra-runners with adrenaline pumped writing, humor and a distinct voice...he never lets go from his impassioned mantra that humans were born to run.” —NPR
 
“Born to Run is a fascinating and inspiring true adventure story, based on humans pushing themselves to the limits. It’s destined to become a classic.”–Sir Ranulph Fiennes, author of Mad, Bad and Dangerous To Know
 
“Equal parts hilarity, explanation and earnestness—whisks the reader along on a compelling dash to the end, and along the way captures the sheer joy that a brisk run brings.” —Science News
 
“Born to Run is funny, insightful, captivating, and a great and beautiful discovery.” —Lynne Cox, author of Swimming to Antarctica
 
“A page-turner, taking the reader on an epic journey in search of the world’s greatest distance runners in an effort to uncover the secrets of their endurance.” —The Durango Herald
 
“Driven by an intense yet subtle curiosity, Christopher McDougall gamely treads across the continent to pierce the soul and science of long-distance running.”—Hampton Sides, author of Blood and Thunder and Ghost Soldiers

Most helpful customer reviews

883 of 922 people found the following review helpful.
A great story and so much more
By Theresa Sull
Born to Run succeeds at three levels. First, it is a page turner. The build up to a fifty-mile foot race over some of the world's least hospitable terrain drives the narrative forward. Along the way McDougall introduces a cast of characters worthy of Dickens, including an almost superhuman ultramarathoner, Jenn and the Bonehead--a couple who down bottles of booze to warm up for a race, Barefoot Ted, Mexican drug dealers, a ghostly ex-boxer, a heartbroken father, and of course the Tarahumara, arguably the greatest runners in the world.

Born to Run is such a rip-roaring yarn, that it is easy to miss the book's deeper achievements. At a second level, McDougall introduces and explores a powerful thesis--that human beings are literally born to run. Recreational running did not begin with the 1966 publication of "Jogging" by the co-founder of Nike. Instead, McDougall argues, running is at the heart of what it means to be human. In the course of elaborating his thesis, McDougall answers some big questions: Why did our ancestors outlive the stronger, smarter Neanderthals? Why do expensive running shoes increase the odds of injury? The author's modesty keeps him from trumpeting the novelty and importance of this thesis, but it merits attention.

Finally, Born to Run presents a philosophy of exercise. The ethos that pervades recreational and competitive running--"no pain, no gain," is fundamentally flawed, McDougall argues. The essence of running should not be grim determination, but sheer joy. Many of the conventions of modern running--the thick-soled shoes, mechanical treadmills, take no prisoners competition, and heads-down powering through pain dull our appreciation of what running can be--a sociable activity, more game than chore, that can lead to adventure. McDougall's narrative moves the book forward, his thesis provides a solid intellectual support, but this philosophy of joy animates Born to Run. I hope this book finds the wide audience it deserves.

331 of 352 people found the following review helpful.
5 stars for inspiration, 3 stars for some hyperbole
By FotoPat
I have to ditto other readers who said this book changed their life. And that is not hyperbole. Prior to reading this book I viewed myself as a fast short distance runner and I rarely, if ever, ran more than 3 miles at a time. I felt this was just the way things were and that I should accept it.

"Born to Run" completely changed my internal thought process about running. I was already aware of the running shoe issue. I've been slowly using Vibram Five Fingers for over a year and I've been trying to alter my gate from heel strike first to toe strike first. I found that it just takes patience and time to adapt in getting those muscles developed. McDougall is no liar - we've been screwed over by the running shoe companies. The first time I ran with the Vibram's I could barely walk for a week I was in so much pain. Now I can climb mountains in them.

What changed for me after reading this book was just the simple notion that I wasn't limited by some personal flaw or lack of will. I was failing to run longer distances because both my mindset and my running style were flawed. One, we can all run farther than we think. Two, don't get obsessed over speed or time, just run at a pace that feels comfortable. Your body will tell you when you can step it up a notch. In other words, just enjoy the experience.

Before I started the book my max was 3 miles with a hard push on the first two. Five weeks after reading the book I can now do 8 miles or more. I can probably do 10 or more now, but haven't pushed because I'm still working on getting those calve muscles stronger and adapted to the new running style. Don't get me wrong - I'm running slow! But wow, does it feel good. I'm enjoying running more and I feel better than ever before. My blood pressure, which was high, is now below normal and I feel great. One of the points McDougall makes in the book is that many experienced ultra runners don't run that fast. Many of them are just doing 10 minute miles. That's part of what caused me to rethink my obsession over speed.

Unfortunately, as a few critics have pointed out, McDougall's book does come off as hyperbole in some parts. I also strongly disliked his focus on extremists. "Barefoot Ted" is one example.

Just search the net for the term "barefoot running" and you'll find some of the most absurd absolutist garbage about how the only way to run is barefoot and anyone who stoops to using shoes (even the likes of Nike Free shoes or the Vibram's) is misguided or even stupid. The sad reality is that we have all been lied to by the shoe companies - Nike especially. These lies are pushed on us by the alleged "experts." I recently picked up a pair of Nike Hayward Prefontaine runners. "Runners World" gave them a mixed review and slammed the shoe for not having enough support. So we have the barefoot absolutists telling us to ditch our shoes and we have the mainstream press telling us we need to wear the very shoes that are making us weaker runners. And the accepted normal shoes do make us weaker - I was told by a doctor after two major ankle injuries that I'd be limping for life if I was injured again. That ankle is the strongest it has ever been after changing my running style.

You don't change people's minds by using extremists to make your case. And that's unfortunately what comes across at times in McDougall's book. I would have personally preferred more information about his personal transformation and less on the likes of "Barefoot Bob" and the other runners who share very little in common with everyday people who just want to get into shape.

I don't think "Born to Run" is going to be that interesting to those who are already hardcore runners. The more you already run, the more the hyperbole will stick out. But I do recommend the book to those who thought like I did about what was physically possible for them. After reading this book you won't be able to watch a marathon again and think of how it's beyond your abilities. You won't make it into the Olympics, but the odds are you can run a marathon.

And speaking of marathons, McDougall makes an earth shattering point about older runners and their ability to outrun teenagers. The age at which you can beat a teenager (in long distance running), assuming you've trained appropriately, will blow your mind. Since it's one of McDougall's "secrets" I won't post the spoiler here. It's just one of his many points that will make you rethink your own ability to run.

EDIT: I have to scoff at all the critics of this book who say to take it all with a grain of salt. Each person is obviously different so your mileage will vary. Nonetheless, the central message in McDougall's book is that YOU can run and you can run longer distances than you think.

I served in the Army and I was a runner in high school. And yet, at almost 40 - with heart disease and a stent implant! - I'm now running longer distances than I have ever run in my life. One of the reasons is simply because I took McDougall's advice. I'll never run ultra-marathons, but that doesn't matter.

There are nuggets of truth and inspiration in this book along with all the exaggerations. If you're already a long distance runner there's very little meat for you to digest and the hyperbole will annoy. But if you're one of the many people who've never gone more than a few miles there's a powerful message here.

I now can outrun all 3 of my nephews (15 to 24) nephews in the long distance. On one fast 4.5 mile mountain hike (Mt. Monadnock in NH) I beat my athletic 15 year old nephew by more than 3 minutes. He led the entire run/hike until the end when I left him in the dust after he ran out of steam. He had the speed, I had the stamina - just like McDougall presents it in his book.

122 of 136 people found the following review helpful.
A great message, but a tiresome narrative...
By Hugh Thompson
"Born to Run" is a revolutionary book containing an invaluable message that could change the way you think about running forever. Unfortunately, this message is buried within 282 pages of rambling narrative filled with improbable characters and punctuated with hyperbole on nearly every page.

By the time I had reached chapter 8, I had tired of the narrative and was wishing the author would simply get to the point. Where was the great stuff about "the joy of running" that other reviewers had said they'd found in this book? Where was that eye-opening screed against Nike as the company that had single-handedly destroyed running for an entire generation of runners? So I did a little digging, and I found the two chapters that addressed these topics. They were terrific! I found a couple other good ones too, that had little or nothing to do with the narrative. Then I basically skipped the remainder of the book.

As far as I'm concerned, the "must-read" chapters in this book are chapters 15, 25, 27 and 28.

Chapter 15 speaks about running for the pure joy of it. The Tarahumara Indians of Mexico who make up the main characters of this book evidently are a tribe who never forgot what a joy it is simply to run! This chapter talks about where running goes wrong for most of us - how it is that something so joyful can so easily devolve into a chore or a contest, and also how it is that America lost its dominance in distance running as soon as money entered the equation. The chapter equates love of running with love of life. It is an inspiring and thought provoking read.

Chapter 25 describes the devastating effect that Nike's invention of the running shoe has had on the sport of running, dramatically escalating the rates of injury that people suffer from running. This astonishing chapter, to me, would be enough to make buying the whole book worthwhile. The chapter cites several studies that have shown that the more expensive a running shoe you buy, the MORE likely you are to suffer running injuries! The heavily-padded and rigidly constructed cocoons that pass for modern running shoes have robbed the foot of the ability to do the things it was designed to do for the runner. As a result the foot becomes weak and out of shape, and injuries result. The heavily padded heel also has changed the stride of the modern runner to a long, heel-striking stride that is destructive to the joints no matter how heavily padded the shoe. Prior to this invention, runners ran on the outsides and balls of their feet, and injuries were substantially lower. Nike itself seems to have finally caught on to this by designing a new kind of running shoe (called the "Free") with minimal padding and support.

Unfortunately, most of the medical establishment has evidently not yet caught up to these truths, according to the author. He cited expert after expert who all sang the same tune that "running is hard on the feet and joints" and "our bodies were not made for running." They generally counseled buying expensive running shoes or even more costly orthotics, or else giving up running as a sport altogether. Thankfully, there are also a few more enlightened medical experts out there, also cited in the book, who paint an entirely different story. The human foot is a marvel of engineering. It is only our tinkering with its environment (by encasing it in supports it doesn't need) that have made it seem so ill suited for what it was made to do.

Chapter 27 details how the author, a tall and heavy-boned man who had perpetually been plagued with joint problems and injuries when trying to run even short distances, was finally able to overcome these difficulties and become a distance runner by completely reworking his stride. This chapter includes a useful mention of three very similar running styles that all have books out detailing them, called Evolution Running, Chi Running, and the POSE method. These methods all stress getting rid of our overpadded running shoes and running more on the balls of the feet rather than landing on the heels, with short quick strides, keeping your weight centered above your feet. There is enough information in this chapter to help someone experiment with these methods, but from what I've read elsewhere it takes time and practice to master any one of them, and the reader would be best advised to refer to one of the books or videos available through Amazon that teach these techniques if the desire is to master this type of running style. Chapter 27 also talks about how the author switched to a much healthier, mostly vegan diet, and the positive effects that came from doing this.

Chapter 28 is an overly-long but nevertheless interesting development of a theory that humans evolved to be long-distance running machines. The author spends a good bit of time quoting various experts and presenting evidence to support this theory. While humans are nowhere near the fastest land animals in a short race, we exceed all other species in our ability to run long distances. The theory is that this would allow a hunter on foot to catch speedier prey simply by chasing them over long distances until they fall exhausted. The title of the book, "Born to Run", comes out of this chapter, making the case that we should all be runners because, after all, we are built to do exactly that.

I would advise busy readers to either buy this book used or else check it out of the library, and start by reading perhaps the first few chapters just to get the background of the narrative that winds its way through the book. If you find that the narrative appeals to you then you will probably want to just read the whole thing cover to cover. If, like me, you find the narrative to be not worth the time, then skip to chapters 15, 25, 27 and 28. These chapters are definitely worth the reading, and may change the way you think about running as a sport for yourself, especially if injuries have hindered you from running in the past.

I will let the final words of Chapter 28 sum up the value of this book: "So simple... Just move your legs. Because if you don't think you were born to run, you're not only denying history. You're denying who you are." This book has definitely inspired me to get back on my feet and try running again, after having given up on running because I thought my joints could not take it.

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Minggu, 31 Maret 2013

[H670.Ebook] PDF Ebook Masted Structures in Architecture (Butterworth Architecture New Technology Series), by James Harris, Kevin Li

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Masted Structures in Architecture (Butterworth Architecture New Technology Series), by James Harris, Kevin Li

This is the first fully comprehensive survey and analysis of masted structures and covers examples that have evolved during the past three decades.

Masted Structures are one of the most interesting developments in post-war architecture resulting from a combination of technology, structural engineering theory and a collaboration between architects and engineers.

This is an essential guide for architects to the structural and constructional implications of masted forms in relation to space enclosure, patterns of loading and use of differing materials and techniques. This useful volume will enable architects and engineers to understand the origins, development and nature of masted structures and will provide a stimulating basis for future design.

  • Sales Rank: #5021986 in Books
  • Published on: 1996-05-11
  • Released on: 1996-04-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.69" h x .39" w x 8.26" l, .99 pounds
  • Binding: Paperback
  • 170 pages

Review
'Highly informative and for designers interested in the subject it is the most thorough reference I have seen'
Architectural Review

'A comprehensive and well illustrated review of a large number of structures.'
Architect's Journal

'An excellent review of the subject, of interest not only to architects and engineers, but to anyone concerned with new architectural forms.'
Viewpoint magazine

'Masted Structures in Architecture is an essential reference resource and of interest to architects, students and developers.'
Hinge Magazine

'Impressive attention to detail'
Building Magazine

From the Publisher
This book is an essential guide for architects to the structural and constructional implications of masted forms in relation to space enclosure, patterns of loading and use of differing materials and techniques. This useful volume will enable architects and engineers to understand the origins, development and nature of masted structures and will provide a stimulating basis for future design.

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Kamis, 21 Maret 2013

[E825.Ebook] Ebook Free Bound , by Honor: Mercenary's Woman\The Winter Soldier, by Diana Palmer

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Bound , by Honor: Mercenary's Woman\The Winter Soldier, by Diana Palmer

MERCENARY'S WOMAN

"Retired" soldier of fortune Ebenezer Scott was a bad boy to the core. Schoolteacher Sally Johnson was the fresh scrubbed beauty from across the street. When Sally's life was put in danger, Ebenezer fought to protect her. But this sweet-natured beauty yearned for so much more. She dreamed of a lifetime of love in Ebenezer Scott's big, strong arms. Could she slip through his ironclad defenses and become this beloved mercenary's bride?

THE WINTER SOLDIER

Everyone in Jacobsville, Texas, steered clear of taciturn Cy Parks. Except spirited Lisa Monroe. To shield the lovely Lisa from a revenge-seeking desperado, the winter soldier claimed her as his bride. Clearly, Cy was getting possessive of this alluring woman who needed the type of safeguarding only he could provide. But who would protect the beguiling bride from him?

  • Sales Rank: #816535 in Books
  • Published on: 2006-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.11" h x 4.32" w x 6.66" l, .30 pounds
  • Binding: Mass Market Paperback
  • 416 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Cy and Eb found wonderful supportive women to share their lives with
By Amazon Customer
I like the stories because they are adventurous and show the strength of the people dealing with their families adversaries.

5 of 5 people found the following review helpful.
Really glad i finally found this book.
By Avid Reader
I'm a huge DP fan...Really glad i found this book, it really completed the "jacobsville" gang...wonderful stories. would recommend to anyone.

8 of 11 people found the following review helpful.
I like other Diana Palmer books much better
By wintersbreeze
I thought that this book was ok. I would not re-read it though. This book did not lack in action and suspence though, there was a lot undercover agents, secret missions, police forces, special agents , etc... in this book that it kept me reading it. Other than that, there was hardly any romance in it. I bought this book as a romance book and it really wasn't. The second story was better than the first. In the first story, Eb and Sallie had a bitter past together and they seemed just too forgive and forget very easily. Like in one day they were friends. Then came all the action with the drug lords and Eb ended up saving the day! The second story was rushed but I liked it better than the first. It played off of the first story, so it leads off where the other ended. So, you enojy the mercs, going undercover to catch a drug lord. I think that Mrs. Palmer should have just wrote this as one big book instead of two.

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Jumat, 15 Maret 2013

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Dr. John Chung's SAT Math: 58 Perfect Tips and 20 Complete Tests, 3rd Edition

SAT math by Dr.Chung. Significantly improved test scores (personal experience)

  • Published on: 1600
  • Binding: Paperback

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Kamis, 14 Maret 2013

[D474.Ebook] Download The Making of a Racist: A Southerner Reflects on Family, History, and the Slave Trade, by Charles B. Dew

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The Making of a Racist: A Southerner Reflects on Family, History, and the Slave Trade, by Charles B. Dew

In this powerful memoir, Charles Dew, one of America’s most respected historians of the South--and particularly its history of slavery--turns the focus on his own life, which began not in the halls of enlightenment but in a society unequivocally committed to segregation.

Dew re-creates the midcentury American South of his childhood--in many respects a boy’s paradise, but one stained by Lost Cause revisionism and, worse, by the full brunt of Jim Crow. Through entertainments and "educational" books that belittled African Americans, as well as the living examples of his own family, Dew was indoctrinated in a white supremacy that, at best, was condescendingly paternalistic and, at worst, brutally intolerant. The fear that southern culture, and the "hallowed white male brotherhood," could come undone through the slightest flexibility in the color line gave the Jim Crow mindset its distinctly unyielding quality. Dew recalls his father, in most regards a decent man, becoming livid over a black tradesman daring to use the front, and not the back, door.

The second half of the book shows how this former Confederate youth and descendant of Thomas Roderick Dew, one of slavery’s most passionate apologists, went on to reject his racist upbringing and become a scholar of the South and its deeply conflicted history. The centerpiece of Dew’s story is his sobering discovery of a price circular from 1860--an itemized list of humans up for sale. Contemplating this document becomes Dew’s first step in an exploration of antebellum Richmond’s slave trade that investigates the terrible--but, to its white participants, unremarkable--inhumanity inherent in the institution.

Dew’s wish with this book is to show how the South of his childhood came into being, poisoning the minds even of honorable people, and to answer the question put to him by Illinois Browning Culver, the African American woman who devoted decades of her life to serving his family: "Charles, why do the grown-ups put so much hate in the children?"

  • Sales Rank: #58133 in Books
  • Published on: 2016-08-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x .90" w x 5.70" l, .0 pounds
  • Binding: Hardcover
  • 200 pages

Review

Each one of Charles Dew’s books has helped shape the conversation on the history of race in this nation. His new book, which combines an honest autobiography of life in the 1950s with a sobering account of archival history and reckoning, is a characteristically eloquent reflection. Dew allows us to understand just how deeply racial thinking saturated white southerners who were otherwise admirable people. Charles Dew is one of our wisest and most humane historians.

(Edward L. Ayers, University of Richmond, author of The Promise of the New South: Life after Reconstruction)

The Making of a Racist provides a searching and brave account of the honeyed pathway to race hatred, the bracing disorientation of learning better, and the haunting, guilty sense of having been there, and knowing that so many have stayed behind.

(Walter Johnson, Harvard University, author of River of Dark Dreams: Slavery and Empire in the Cotton Kingdom)

About the Author

Charles B. Dew is Ephraim Williams Professor of American History at Williams College and the author of the Fletcher Pratt Award-winning Apostles of Disunion: Southern Secession Commissioners and the Causes of the Civil War (Virginia) and Bond of Iron: Master and Slave at Buffalo Forge, selected as a New York Times Notable Book of the Year.

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3 of 3 people found the following review helpful.
Wanted more
By Sis Steele
After listening to an interview with Charles Dew, I eagerly anticipated this book. Unfortunately, in spite of Dew's engaging style and thoughtful memories, I was left wanting. The first part of the book deals with Dew's own experience of learning from day one that the Confederacy still existed, that African Americans were inferior, how his parents were complicit in those lessons, and the moments the veil fell from his eyes and he no longer was blind to racism in his family and world. The second part deals with the history of the dehumanization of enslaved people, owner and overseer history and how the institution was perpetuated without guilt.

The author adequately describes the struggle of loving one's parents but not loving the words they spoke or how they treated others. He describes the time when he felt his pangs of guilt over racist jokes or treatment of others. He states his case by how his students react to his stories and the slave sale documents and letters he has them read.

Dew does ask the question that I wonder, "How do people see evil right in front of them and do nothing?" But that is never answered. More's the pity. He toes a line between loving his parents and excusing them that for me was hard to read, though I understood it. I believe the overbearing presence of white privilege in his life was not fully discussed on a personal level even as this was a memoir.

2 of 2 people found the following review helpful.
Racism in America: From slavery to Jim Crow
By Emma
A well written and thought provoking look at the roots of racism in America, using a study of slavery as its basis. Thoroughly annotated. Both historical and personal in its approach. One of the main questions still not answered: how did all of the people who supported the slave trade, either as buyers or sellers, and later the cruelty of the Jim Crow South overlook the inhumanity it required? But maybe that is an impossible question to answer satisfactorily. Anyone perplexed by racism in America should read this.

3 of 3 people found the following review helpful.
Making of a Racist
By Joyce M. Steensrud
Another must-read, especially by older white Southerners. I've lived in the South for the past 54 of my 75 years so I qualify!! The book, written by an older white Southern historian, sheds light on my observations over the past 54 years of living in the South. It is a fascinating read - extensively researched- and I couldn't put it down.

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Minggu, 10 Maret 2013

[A434.Ebook] PDF Download Behind Bars: The Definitive Guide to Music Notation (Faber Edition), by Elaine Gould

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Behind Bars: The Definitive Guide to Music Notation (Faber Edition), by Elaine Gould

Behind Bars: The Definitive Guide to Music Notation (Faber Edition), by Elaine Gould



Behind Bars: The Definitive Guide to Music Notation (Faber Edition), by Elaine Gould

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Behind Bars: The Definitive Guide to Music Notation (Faber Edition), by Elaine Gould

Behind Bars is the indispensable reference book for composers, arrangers, teachers and students of composition, editors, and music processors. In the most thorough and painstakingly researched book to be published since the 1980s, specialist music editor Elaine Gould provides a comprehensive grounding in notational principles.

Behind Bars covers everything from basic rules, conventions and themes to complex instrumental techniques, empowering the reader to prepare music with total clarity and precision. With the advent of computer technology, it has never been more important for musicians to have ready access to principles of best practice in this dynamic field, and this book will support the endeavors of software users and devotees of hand-copying alike. The author's understanding of, and passion for, her subject has resulted in a book that is not only practical but also compellingly readable.

This seminal and all-encompassing guide encourages new standards of excellence and accuracy and, at a weighty 704 pages, it is supported by 1,500 music examples of published scores from Bach to Xenakis.

Chapters include:
Section I - General * Conventions: Ground Rules * Chords -- Dotted notes -- Ties * Accidentals and Key Signatures * Dynamics and Articulation * Grace Notes, Arpeggiated Chords, Trills, Glissandos and Vibrato * Metre * Tuplets * Repeat Signs. Section II - Idiomatic Notation: Woodwind and Brass * Percussion * Keyboard * Harp * Classical Guitar * Strings * Vocal Music. Section III - Layout and Presentation: Preparing Materials * Score Layout * Part Preparation * Electroacoustic Music * Freedom and Choice.

  • Sales Rank: #180952 in Books
  • Brand: Faber Music
  • Model: 12-0571514561
  • Published on: 2011-01-20
  • Original language: English
  • Dimensions: 9.25" h x 6.25" w x 2.00" l, .66 pounds
  • Binding: Hardcover
  • 704 pages
Features
  • Used Book in Good Condition

Review
"I pray that [this book] becomes a kind of Holy Writ for notation in this coming century. Certainly nobody could have done it better, and it will be a reference for musicians for decades to come." Not my words, but those of Simon Rattle (one of only two conductors to escape censure from Peter Maxwell Davies earlier this week; only Rattle and Pierre Boulez emerged unscathed as "masters of their art" in his recent pop at the profession) on Elaine Gould's new book, Behind Bars: The Definitive Guide to Music Notation. This "wonderful monster volume" - Rattle again - is indeed more than the sum of its parts. Gould's book is the result of decades of experience as senior new music editor at Faber Music, where she has worked closely with composers like Jonathan Harvey, Oliver Knussen, Colin Matthews, and Thomas Ades, and what she has to say in Behind Bars transcends the book's first appearance as a manual of notational best practice. Under the surface of its guide to producing the best and clearest scores - the arcana of making sure you're not asking your harpist for too many pedal changes, that you change clefs in the right place in your orchestral parts, and how best to indicate the plethora of extended instrumental techniques in so much contemporary music - this book expounds an alchemical formula for musical communication. Gould's book shows composers how to ensure that the magical transfer of musical ideas from their imaginations to their scores, from their performers to their audiences, is as seamless as possible. Behind Bars is a practical revelation of the poetics of musical communication. It's especially necessary in the early 21st century. You might think that after centuries of evermore sophisticated copying, printing, and digitising of music notation that all the problems had been solved. Not a bit of it. The rash of computer scores produced with programmes like Sibelius in the last couple of decades are a mixed blessing. Software like Sibelius allows composers to create full scores and individual parts for the musicians at the click of a button, yet it's too easy to overlook the kind of problems that Gould talks about - where a badly placed page-turn in your string parts can mean the difference between a good performance and a catastrophic one. Gould quotes Mahler's frustration with the copyist who mauled the material of his Eighth Symphony before its first performance in Munich in 1910; looking at his exemplary manuscript of the Fifth Symphony that the Morgan Library has just made available for free online, you can see that Mahler abided by Gould's principles of clarity and consistency. But I wonder what Gould would say to Beethoven, if she were faced with pages like this, from the manuscript of the Ninth Symphony, whose facsimile was recently published by Barenreiter? It's not just a contemporary phenomenon: composers have always pushed at the limits of musical and notational comprehensibility. The Guardian (Tom Service), 12 January 2011 'Say "musical composition" and you identify a process: but "a musical composition" is very much a product, a commodity: and never more so than when it takes the form of materials from which performers sing or play, and academics build their theories about music history and aesthetics. Philosophers might continue to agonise about the extent to which a printed score represents the composition. Performers are much more likely to agonise about whether the materials put before them make sense and, if you ask professional musicians where they would like to see composers whose materials create tough challenges for them, "behind bars" would be one of the politer suggestions forthcoming. Composers best able to avoid the lash of performers' hostility are those lucky enough to work with a well-established publishing operation, and that means an editor like Faber Music's Elaine Gould. After more than 20 years in the business, Gould has seen (and heard) it all and Behind Bars is an encyclopedic distillation of practical professional wisdom, fully justifying its bold subtitle, "The Definitive Guide to Music Notation". Not even Gould can teach you how to compose a good work, of course: but her book is a matchless source of practical advice, all geared to the wryly understated observation that "players will tend to be well disposed towards a work whose instrumental parts are carefully prepared". The book has three main parts: "General Conventions" discusses the notational basics of pitch and rhythm, "Idiomatic Notation" has a section for each of the instrumental families, with harp and classical guitar treated separately, and one for voices: finally "Layout and Presentation" deals not only with the creation of a conventional score, but with issues in electro-acoustic and computer music that bring the story bang up to date. The copious illustration in music type (Richard Emsley was the indefatigable typesetter) show how not to do things as well as how best to do them, and although Gould makes occasional use of extracts from such composers as Elliott Cater and Jonathan Harvey, the bulk of the illustrations - which it has to be said, vary considerably in their relation to "real" music - are (presumably) of her own "composition", with help from those members of the Faber Music family mentioned in her Acknowledgements. Gould's text inevitably reflects the piecemeal manner in which music notation has evolved, with its (for outsiders) crazy mixture of instruction in French, Italian, and other languages, but offering a salutary demonstration of cultural pluralism in action, and all in the service of what is still sometimes hailed as the "universal language" of music. Perhaps that should be Western music, since other music's seem not to need guides such as this. Notation can never be so rigidly "definitive" that it leaves absolutely nothing to the imagination of interpreters: but Gould's guide is as good a source as you can get for how to ensure that your score and parts are approached in a positive spirit by those contracted to realize them as living sound.' Gramophone Magazine (Arnold Whittall), February 2011"

About the Author
Elaine Gould has been Senior New Music Editor at Faber Music since 1987, in which capacity she has edited the complex and varied scores of such composers as Oliver Knussen, Jonathan Harvey, George Benjamin, Colin Matthews and Thomas Ades. Before this she was a free-lance copyist, specialising in copying contemporary music for several leading British music publishers. She is among the most highly respected music editors currently working in the field.

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7 of 7 people found the following review helpful.
Truly a milestone in the history of music notation
By PianoGuyFromSC
This huge (650-page) volume is a must addition to the library of anyone who is seriously involved in writing or editing published music. It covers virtually every conceivable notational dilemma, including writing for specific instrument groups, and the proper layout of scores. The author has decades of experience and it shows, but she is not pedantic and has a sense of humor (as the title might indicate). The book is loaded with musical examples as well as descriptive text.

If you are not a music professional, do NOT spend 100 dollars on this book. There are plenty of simple volumes that will give you the basics of notation for most purposes. But as an editor for a music publisher, I consider it well worth the money and will keep it close to my desk along with my dictionary and orchestration manuals!

9 of 10 people found the following review helpful.
As the subtitle says, it's the definitive guide to music notation
By Joseph
Behind Bars is the Bible of music notation for fully notated music, be it band, choral, orchestral, or experimental. It doesn't address lead sheets or other pop notation, so songwriters, jazz, and popular musicians may not find it as useful, but for its target audience--composers, arrangers, orchestrators, and the like--it is an invaluable resource. Think of it as the Chicago Manual of Style for music. I cannot recommend it highly enough.

5 of 6 people found the following review helpful.
Excellent resource for classical, jazz, band, and some electronic composers
By Chris Sahar
This is comprehensive and updated. Excellent as my title says for classical, jazz, band, and some electronic compositions. For music editors fantastic. I should say it is good for pop IF it is piano accompaniment with lyrics or a band with singer (not using lead sheets).

As one reviewer wrote do not spend the money if you do not write orchestral or large band music. If your medium of composition is piano, chamber works, writing lead sheets, or straightforward choral works, Sibelius notation software offers INDIRECTLY through its instruction manual good thorough basics on notation. If you want a direct manual Dover has issued a Norton Guide to notation.

But if you are a composer who write or intends to write for large forces or works with a great deal of chromaticism, meter changes, use of more complex rhythms, and some extended techniques, PLEASE get this book. A tidy, well-laid out score will significantly increase your chances performers will review your arrangements and/or compositions. I guarantee that they will play it better than if you present a carelessly prepared score.

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