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A comparative study on Poland-Lithuania and Russia based on an analysis of the behaviour and structure of both countries' diplomatic services. The text considers the history of the Russian residency in Poland and the Polish residency in Moscow. The author had access to archival collections.

• Sales Rank: #5252501 in Books
• Published on: 1992-02-01
• Original language: English
• Number of items: 1
• Dimensions: .92" h x 6.03" w x 9.06" l,
• Binding: Paperback
• 312 pages

From the Back Cover
In Republic vs Autocracy Professor Andrzej Kaminski analyzes a pivotal period in the struggle between the Polish-Lithuanian Commonwealth and Russia for control of Ukraine and, ultimately, all of Eastern Europe. By 1697 the Commonwealth had lost control of East-Bank Ukraine and Kiev to Russia, and had seen the election of a Saxon king to the Polish Crown. Peter I had firmly established his rule and undertaken the Azov campaigns. The Cossack Hetmanate was increasingly dominated by the Russian autocracy; the Treaty of Hadiach with the Commonwealth had failed. Russia was growing stronger in the international sphere. Poland-Lithuania had begun a decline accompanied by the ever-increasing absorption of its territories by its adversaries. Ukraine was split between two spheres of influence, with the Russian sphere growing larger after each of Russia's confrontations with the Commonwealth. Concentrating on diplomatic relationships, the struggle for control over Ukraine, and the response to the Ottoman threat, Kaminski shows how political structures and forces within the Commonwealth and Russia contributed to the outcome of their rivalry. The focus on diplomatic relations centers on the residencies that Russia and the Commonwealth had in each other's capitals, seen through the detailed records of the respective departments and chancelleries responsible for foreign affairs. Kaminski shows through these records how the two powers perceived each other and how they achieved their objectives. Republic vs Autocracy also offers ground-breaking analyses of the Solomon Affair and Russia's involvement in the election of August II to the Polish Crown, as well as new perspectives on the personal andpolitical development of Tsar Peter I and Hetman Ivan Mazepa's relationship with Moscow and Warsaw. This study will be valuable to scholars and students of seventeenth-century Ukrainian, Russian, and Polish history and useful in graduate and undergraduate survey courses.

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1 of 1 people found the following review helpful.
A must read for anyone interested in Polish/Russian history
By Clayton J. Hanson
English language scholarship on Polish or Russian history tends to fly past the diplomatic and cultural exchanges of the late 17th century; preferring instead to focus on domestic reforms or foreign military victories. This book, fortunately, doesn't, instead spending time detailing the political and bureaucratic systems of each state, personalities, and intrigues during the reign of Jan Sobieski. The chapter on the unusual Solomon Affair is the best treatment in English of which I'm aware. Kaminski also advances a novel (and very plausible) theory to explain the bizarre behavior of just about everyone during the affair, though I'm not entirely convinced by it. Also interesting are the allusions to popular political philosophers of the period and their influence on the ordering of the Polish government.
I would recommend this title not only to students of Russian and East European history, but to anyone studying European states in the period after the Wars of Religion.

2 of 2 people found the following review helpful.
excellent
By A Customer
Professor Kaminski's book is an excellent, original, based on primary research comparison of Polisha nd Russian diplomatic services. It challenges many prevalant stereotypes and brings new light on the approach of these two rivals to each other at the end of the 17th century. Brilliant!!!

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“I am Marzi, born in 1979, ten years before the end of communism in Poland. My father works at a factory, my mother at a dairy. Social problems are at their height. Empty stores are our daily bread.I’m scared of spiders and the world of adults doesn’t seem like a walk in the park.”

Told from a young girl’s perspective, Marzena Sowa’s memoir of a childhood shaped by politics feels remarkably fresh and immediate. Structured as a series of vignettes that build on one another, MARZI is a compelling and powerful coming-of-age story that portrays the harsh realities of life behind the Iron Curtain while maintaining the everyday wonders and curiosity of childhood. With open and engaging art by Sylvain Savoia, MARZI is a moving and resonant story of an ordinary girl in turbulent, changing times.

• Sales Rank: #621569 in Books
• Brand: DC Comics
• Published on: 2011-10-25
• Released on: 2011-10-25
• Original language: English
• Number of items: 1
• Dimensions: 10.20" h x .70" w x 8.00" l, 1.36 pounds
• Binding: Paperback
• 240 pages

Amazon.com Review
Marzena Sowa on Marzi

I landed in the world of comics somewhat by chance.

I had studied literature, and I always dreamed of writing, but I never imagined I’d become a comic book author. It’s all thanks to Sylvain. Before meeting him, I didn’t really read comics (I must have read Tarzan when I was 13, and my next comic book was Blue Pills by Frederik Peeters when I was 23).

Stupidly, I believed that comics were for children, for men who refused to grow up or for people who didn’t like to read very much. In Poland, where I was born, no one tried to change my mind. There, during my childhood, comics were a marginal art form. Thanks to Sylvain, I plunged into comics not only as a reader but almost simultaneously as an author. The Marzi adventure started in 2005.

In the beginning, I struggled with my role. I was always hiding behind Sylvain who had an established career as a comics artist. He’s the one who carried Marzi on his shoulders for several years. But little by little, with the publication of each new volume, I learned (and I’m still learning) to better manage my work as scriptwriter, and my place in this world became more stable. I began to understand the importance of my work. It wasn’t by chance. Not anymore. And I didn’t want to be the author of only one comic book.

One day, I met a Polish illustrator: Krzysztof Gawronkiewicz. I liked his drawings a lot, and I wanted to work with him. At the time, I was in the midst of reading the poems of a Polish poet who wrote about the war. A few of them referenced the Warsaw Uprising in 1944.

This uprising is often confused with the uprising of the Warsaw ghetto in 1943. It was the last hope, the last attempt--powerful and at the same time desperate--of the Polish people to regain their freedom from the Nazis. It was expected to last 4 or 5 days, but it ended after 63 days. It was a true death knell to Warsaw. The Red Army had arrived on the outskirts of the city, and halted near the Vistula River, waiting for the Germans and the Poles to kill each other. Then, they arrived as the victor in the lifeless capital, and established communism. The Russians, thanks to their non-intervention, kept that historic event in the shadows (and made sure it stayed there) which is why it barely exists in Western minds.

The uprising isn’t an easy topic. It’s vast and has always stirred up a number of controversies about its meaning. But it’s a real-life story that needs to be told, and it will be the subject of my next comic, working with Kryzsztof. It’s a huge job for us and a terrific challenge that we have thrown ourselves into with great enthusiasm.

I don’t know if, working on another project that once again takes the history of Poland as its subject, I run the risk of being categorized as a Polish author, but at the same time, I know I have many other stories in my bottom drawer that aren’t necessarily about Poland, but in which no doubt my Polish sensibility, my Polishness, shines through. It’s something I’ll never escape, but I also don’t want to escape it. It’s where I find my strength. And for me, for now, it feels vital to write about my country.

About the Author
Marzena Sowa was born in Stalowa Wola, Poland. As a young girl she dreamt about living in France, free from communist rule. Marzi is her first graphic novel created in collaboration with artist and partner Sylvain Savoia..

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9 of 9 people found the following review helpful.
There's a lot to love about Marzi, and a lot to loathe about Vertigo's mucking around with this English edition...
By S. M. Robare
I was excited to get a chance to read the DC Comics Vertigo English release of the Belgian comic Marzi, which was originally published as short stories in the pages of Spirou Magazine. Marzi follows the autobiographical adventures of Marzena Sowa as she grew up and came of age in 80s era communist Poland. This first English language volume combines the first four Belgian collections (Petite Carp, Sur la terre comme au ciel, Rezystor, and Le bruit des villes), written by Sowa and illustrated by her partner Sylvain Savoia.

Getting a chance to peek behind the iron curtain and to see what Polish life was like was fascinating, particularly because it illustrated how normal the day to day really was. There are a lot of interesting shorts, like what it was like preparing for the Christmas dinner by keeping a live Carp in the bathtub for a few days, or the routine of waiting in lines for grocery staples. But what surprised me the most was the overall tone of the stories and how honestly Sowa presents herself as sort of a bratty spoiled child. Simply judging from the cover illustration, which features a young scowling Marzi awkwardly manhandling a plush bunny, tiny amongst a sea of Polish soldiers in riot gear, you get the impression that this would be a darker memoir about the struggle and hardships of life. While this is certainly a part of the backdrop to the story, it's actually more upbeat and a tad whiney. The cover illustration is actually a reworking of the cover to the second Belgian collection (Sur la terre comme au ciel - On the Ground as with the Sky), which features a more quizzical and curious Marzi. I'm wondering if the folks at Vertigo might be getting a little bit underhanded with their marketing.

Similarly, this English volume contains a complete re-coloring of the original comics. The Belgian editions were very vibrant and whimsical in tone, whereas this new volume is upping the tone of hardship behind the curtain by rendering the pages in drab browns and dull reds. It's almost as if they pulled their monochromatic color scheme from the scenes of the girl in the little red dress from Schindler's List trying to make the work more heavy and dramatic than it really is. I found this heavy-handed marketing distracting, but the content of the stories still manages to shine through.

Overall my favorite aspect of Marzi: a memoir are Savoia's illustrations. His style is much in the vein of Jeff Smith, which features the beautiful juxtaposition between realistic and exaggeratedly cartoon-y renderings. This duality in the artwork combined with the coming of age stories evokes the work of Bill Waterson's Calvin and Hobbes at times, yet still manages to feel completely like it's own work. I think fans of auto-bio comics, in particular strip comics, will find a lot to enjoy in Marzi. I just wish the translation of the comic ended with the text, instead of co-opting the tone as well.

5 of 5 people found the following review helpful.
Wonderful graphic memoir of childhood in Poland as it became free
By Man in the Middle
I love graphic books, but have never seen one I enjoyed more than "Marzi." Having lived through the era of her childhood, I thought I already knew something about what was going on then in Poland. But really, I didn't, and this memoir was both highly-enjoyable and very educational about life there during the fall of communism and rise of freedom.

The book is also for me (a guy) an excellent introduction to what it was like for a young girl to grow up poor in turbulent times, and very honest about both the good and bad ways she coped with her challenges. Overall, Marzi is a person I'd really like to have as a friend, and a wonderfu ambassador for her country and culture.

The artwork added quite a lot to my enjoyment of the book.

This would be a great book to read together with kids, but isn't only for kids. It touches on some tough topics, but gently and respectfully.

Highly recommended.

3 of 3 people found the following review helpful.
Interesting Vignettes on Communist Poland
By Becky at "One Literature Nut"
Let me just say how much I loved little Marzi. Her character is sweet, charming, and vulnerable, with a healthy dose of insecurity brought on by the culture of her environment and a mother who seemed to feel she had to bring Marzi up with an iron first. Marzi was just a normal little girl, watching as her parents stood in line for simple food staples, went to school with friends who had goods her family seemingly couldn't afford, and spent time with her country relatives, learning to store up food for leaner times. Marzi's life is what is not normal. Although she is a little girl who wants to play, to learn new things, and to have her own puppy, the world she lives in is much too oppressive for a little girl to really understand. Through her eyes, we really get to see how scary and challenging it was for the people of Poland to negotiate these last days under communist rule.

Overall, I really did enjoy this graphic novel. The version I had was a little over 200 pages long, and with the vignettes, it made it hard to stick with the novel in one sitting. I found myself coming back to it, to read a few stories at a time. One part of the story that I found especially interesting was the section after the accident in Chernobyl. Although it was far away, the affect of the radioactive cloud that traveled to Marzi's town in Poland was huge! The fears they had over the rain, the food, and even their animals sent a country already suffering for food and work into a greater tailspin. I don't know that I'd ever considered the dramatic affect this event had on other nations, but we really do get a good first-hand account from little Marzi.

On the whole, this was a good graphic novel that I could see being used to help explain more about Poland's modern history and about communism. Honestly, it has made me want to learn more about the author today and her thoughts on these events as an adult. Not a short read, but a good one!

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(Berklee Press). When you think of jazz composers, who comes to mind? Jelly Roll Morton, Charlie Parker, Dizzy Gillespie, Thelonious Monk, Charles Mingus, Bob Brookmeyer. This book is about what they (and many others) do. Jazz composition has evolved into a disciplined art that often evidences great emotional depth and breadth of sophistication. Berklee College of Music legend Ted Pease demystifies the processes involved in writing jazz tunes and in composing episodic and extended jazz works. Jazz Composition: Theory and Practice is a by-product of Pease's 25 years of teaching jazz composition. The accompanying audio files help demonstrate melody, harmony and rhythmic elements of jazz and also includes a variety of music-writing exercises focused on learning these same elements to help you begin producing your own effective jazz compositions.

• Sales Rank: #77659 in Books
• Brand: Berklee Press
• Model: 50448000
• Published on: 2003-08-01
• Released on: 2003-08-01
• Original language: English
• Number of items: 1
• Dimensions: 12.00" h x .62" w x 9.00" l, 1.90 pounds
• Binding: Paperback
• 256 pages

Features

• 256 pagesSize: 12" x 9"Composer: Ted PeaseISBN: 876390017

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17 of 17 people found the following review helpful.
Jazz Composition At Your Fingertips
By BountyHunter
This is a great book for those who know a respectable amount of jazz theory and want to understand the practice and art of jazz composition. Throughout the book, you are given exercises and opportunities to write your own pieces and comes with a CD. Although this book teaches you modal harmony, chromatic harmony, blues writing, ect., there is no substitute for a jazz composition professional teacher who would be valuable to check your work and offer criticism and suggestions.

Writing pieces on your own is basically made easier in terms of form and structure.

11 of 12 people found the following review helpful.
jazz Composition: Theory and Practice, Ted Pease
By Composer56
I always found it hard putting the music from my soul on paper. I have been checking all about music composition on the internet but what I found were just the obvious guidelines and warnings about what not to do. Recently I have discovered the jazz composition book by Ted Pearse, I ordered it through Amazon. What a suprise, the book was just what I have been looking for, being a self taught musician and a saxophonist, I read through the book but one thing for sure I could not put it down because of the wonderful information contained therein, instantly I felt like Ted was just answering all my questions about creative composition using all and beyond what i new about jazz performance and improvisation. Immediately, I felt the urge to start composing there and then because each lesson has a music manuscript for the learner to write on some composition ideas inspired by the lessons. Now I am confident that the bright journey to music composition starts with this book, it gives you everything you need about understanding and starting to be a composer. I have started falling in love with this book and I don't regret having not gone to Berklee to learn jazz composition and improvisation, this book is a treasure Ireland and I'm glad I grabbed myself a copy for an amazing price that is affordable...this is my ticket to a composers world...Hmm!

8 of 9 people found the following review helpful.
Amazing book... Good explanations !!!
By Gideon Leong
I highly recommend this book for jazz analysis and composition, with the condition of understanding your chord/scale theory. It has sectional explanations which comes with exercises.

The book is divided into major chapters like Melodic Considerations, Harmonic Considerations, Blues and Song Form, Arranging and Formatting Considerations, Metric Considerations, Fusion, Episodic Form, Extended Works...

My favorite major chapter is MELODIC CONSIDERATIONS ( Melodic Rhythm, Interval Patterns, Melodic Variation via Modal Interchange, Melodies Based on Intervallic Patterns, etc etc etc)

This book has detailed a lot of new concepts to me. However, I do not recommend this book for total beginners in Jazz.

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Despite the rise of computer gaming, millions of adults still play face to face role playing games, which rely in part on social interaction to create stories. This work explores tabletop role playing game (TRPG) as a genre separate from computer role playing games. The relationship of TRPGs to other games is examined, as well as the interaction among the tabletop module, computer game, and novel versions of Dungeons & Dragons. Given particular attention are the narrative and linguistic structures of the gaming session, and the ways that players and gamemasters work together to construct narratives. The text also explores wider cultural influences that surround tabletop gamers.

• Sales Rank: #1288884 in eBooks
• Published on: 2010-07-01
• Released on: 2010-07-01
• Format: Kindle eBook

About the Author
Jennifer Grouling Cover is a PhD candidate in rhetoric and writing at Virginia Tech. She teaches writing and lives in Muncie, Indiana.

Most helpful customer reviews

0 of 0 people found the following review helpful.
but it's not going to help me create better narrative at my table
By Dan Williamson
Very interesting. Not exactly what I expected, it's a scholarly examination of the way that language is used at the gaming table. Being a fan of linguistics, this was interesting, but it's not going to help me create better narrative at my table.

17 of 19 people found the following review helpful.
An Excellent First Step toward a New View on the TRPG
By Epileptic Tarrasque
By far the most innovative scholastic treatment of the Tabletop Roleplaying Game (TRPG) I've read to date, Creation clearly delineates a new cross-discipline view for future research and debate on narrative and its role in the TRPG. While by necessity Cover reiterates some commonly held truisms in the subject, at no point does this detract from the work, either for a student of rhetoric, or for the lay person.

The only reason this did not receive a fifth star was because of its relatively narrow focus, specifically on Dungeons & Dragons as a flagship TRPG. While it is in effect the quintessential representative of the genre, the effort and tremendous scholarship that went into the production of this book shows to me that the author has abundant potential and talent, and I feel as a personal opinion that the rather tight focus on that one game system in this text does her conclusions and her capabilities something of an injustice.

Whether you are simply an interested person, a player or GM of a TRPG, or a researcher looking seriously into the narrative underpinnings that hold together all of our creatively supported interactions from make-believe games as children to modern computer RPG's and MMORPG's, Cover's insights and excellently researched syntheses prove both engaging to read and provocative in thought. I look forward eagerly to any pursuant texts in the same vein.

4 of 5 people found the following review helpful.
I like it, however I do not feel it is ...
By corey walden
I like it, however I do not feel it is as thoroughly researched as say a contemporary like Peterson. Clearly the angle of the writing is far different, however there were some historical inaccuracies (or omissions). For instance, it is suggested that Arneson was very influenced by Tolkien's work for his Blackmoor game. This may have been (and probably was) the case, however this text fails to acknowledge the enormous influence that Chainmail (by Gygax) had on Arneson's initial Blackmoor concept. Now, Chainmail, was clearly influenced by Tolkien's work!

Having said that, it is easy-to-read, and well-written. It offers a notable contribution to TRPG studies, and I am currently referencing it for a master's thesis.

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[T717.Ebook] Download Last Man Standing: Killbook of a Bounty Hunter, by Dan Luvisi

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Meet Gabriel—last of a genetically engineered breed of supersoldiers known as the Paladin. After winning an interstellar war, he is celebrated back home and given the title of Protector of Amerika. As Gabriel is distracted by his duties, a terrorist organization known as Pandemonium frames the hero. Stripped of his title and prestige, Gabriel is sentenced to the notorious Level-9 facility, where he endures nine years of torture. But as the clock ticks down to Gabriel’s eventual demise, he is introduced to Agent O, who offers the Paladin a chance at redemption. Learn his story—and that of his allies and enemies—as he begins to orchestrate his revenge.

* Killbook, is a scrapbook-style character bible and prologue book for the series.

* Optioned by Paramount Pictures.

* Includes 30 pages of all-new material and a new cover.

• Sales Rank: #361255 in Books
• Published on: 2013-12-03
• Released on: 2013-12-03
• Original language: English
• Number of items: 1
• Dimensions: 15.30" h x 1.00" w x 12.80" l, 7.15 pounds
• Binding: Hardcover
• 272 pages

Most helpful customer reviews

30 of 31 people found the following review helpful.
Content, perfect. Amazon's packaging, not so much.
By H. Qin
The book, the art, the content - Flawless. I mean really, it's hard to believe one guy could deliver so much in one book. Its beautiful, and on the 3rd pass when you actually start to read the content, it's fantastically entertaining and in depth. The character profiles are well developed, and the artwork ties in perfectly. The quirkiness of the accessory information will have you laughing out loud.

I hesitate to write this, because Dan deserves to have the sales, so please understand that I am simply recommending not to get this book from Amazon:
Amazon's packaging, unfortunately, absolutely terrible. 2 of the corners on the hard cover book came smashed.
Book came laying flat in a box that was fit exactly to size in length and width, with 3 air bags placed on top. Having been on the pre-order waiting list for 3 months now, and waiting, this was very disappointing.

UPDATE:
Replacement by Amazon shipped with even less care. Same box, no air bags this time. Corners smashed, again, but not as badly so I am giving up.

12 of 12 people found the following review helpful.
The IMAX of artbooks
By Parka
[[VIDEOID:mo1O98C6Z54A5NI]]When I first saw the book, I was like "Is this for real?". This book is huge! It's almost A3 size, and it's 272 pages thick. This is the IMAX of artbooks.

If you look closely at the cover, you'll see the actual killbook attached in chains to the belt of Gabriel, the protagonist that artist Dan Luvisi has created for his story.

Gabriel is a super soldier who was framed by a military corporation with global power. The story isn't really original, but it's still quite interesting to see this world that Gabriel lives in. With the help of a secret agent, he managed to escape the prison and is now back for revenge. This killbook collects all the bad guys on his hit list.

The book is presented as a scrapbook, with photos, artworks, documents and notes. The writing style is like snapshots from what Gabriel still can remember. Basically, there's no actual flow to the story. The book starts off with the introduction and background to the world, and then moves on immediately the the hit list, and ends with a gallery of concept art from children who still believe in the innocence of Gabriel.

While the writing isn't as good as it can be, the idea is fantastic. There are lots of bad guys with profiles and interesting analysis. Since the genre is sci-fi, you get characters that are not humans. There is a lot of content to read through and digest.

The last part of the book is quite creepy. It features fan art of Gabriel and other characters by children, fictitious of course, mostly under the age of 10. The artworks are look great, and there lies the creepiness because the kid's photos are shown beside their art. It's difficult to imagine young kids creating such accomplished pieces of work. Imagine a 5-year-old with an almost 3D painting of a muscular man-shark or shark-man with teeth that looks like it can bite through your neck like french fries. Interestingly, when you follow the websites of these kids, you'll be brought to the actual artists who created them.

This is a visually wonderful book and could be more awesome with better writing.

(See more pictures of the book on my blog. Just visit my Amazon profile for the link.)

5 of 5 people found the following review helpful.
Art is amazing, but...
By Amazon Customer
The art is amazing, definitely worth the price of the book. Butthe writing is definitely a big let down. Even starting with the year, 2666. 500 years in the future seems like a long time to still be having things like submachine guns. The scrapbook style is very interesting, so I can forgive the cliched bios of the characters. The editor, however, should be Gabriels next target. The book is filled with grammatical errors and extremely poor sentence structure, to the point that I had to take breaks out of frustration. There is endless potential in this story and these characters, and I fully understand and appreciate that this is the artists baby and he wants nurture it his way, but he would do Gabriel much more justice if he brought in a writer that shared his vision. Despite all that, you better believe I'm looking forward to whatever comes next for the last man standing.

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Stretch your creativity beyond the cloud with this fully-updated Photoshop guide!

Photoshop puts amazing design and photo-editing tools in the hands of creative professionals and hobbyists everywhere, and the latest version - Photoshop CC - is packed with even more powerful tools to help you manage and enhance your images. This friendly, full-color guide introduces you to the basics of Photoshop CC and provides clear explanations of the menus, panels, tools, options, and shortcuts you'll use the most. Plus, you'll learn valuable tips for fixing common photo flaws, improving color quality, adjusting brightness, removing unwanted background elements, and more.

• Covers the new Photoshop CC release which brings even more features to over four million photographers, graphic designers, web developers, and other Photoshop professionals
• Teaches the essentials for first-time users before moving on to more advanced techniques like removing blemishes and wrinkles, creating composite images, and working with layers, filters, levels, and curves
• Walks you through adjusting brightness, enhancing color, adding shadows and highlights, decreasing digital noise, taking advantage of Camera Raw, and optimizing your images for print and the web

The sky's the limit for stunning photos and innovative images with Photoshop CC For Dummies in your design toolbox.

• Sales Rank: #17534 in Books
• Published on: 2013-05-20
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x .89" w x 7.40" l, 2.23 pounds
• Binding: Paperback
• 448 pages

From the Back Cover

Learn to:

• Edit and enhance images like a pro
• Fix the most common digital photo problems
• Control color and tone
• Add text and create illustrations and paintings

Create the most amazing images — limited only by your imagination

It's your photo and you want to make it perfect. This book walks you through all of the techniques that give you complete control over the appearance of your images. From removing wrinkles to creating beautiful composite images, you'll quickly learn to master Photoshop.

• Breeze through the basics — gain a solid understanding of essential concepts and features
• Enhance reality — make your images jump off the page with great color, highlights, and shadows
• Put the pieces together — create unique images and beautiful panoramas by combining your photos
• Ready, set, action — streamline repetitive tasks using scripts, Actions, and the Batch command
• Paint without the mess — use filters and tools to create beautiful painterly effects from your photos

Open the book and find:

• Explanations of the tools and commands you need most
• Why to shoot Raw photos
• How to adjust color and luminosity
• Ways to reduce digital noise
• Tips for creating composite images with layers, blending modes, and opacity
• Why you might not want to uninstall your earlier version of Adobe Bridge
• How to integrate your iPad into your Photoshop workflow
• Descriptions of how to use the most critical Photoshop filters

About the Author

Peter Bauer, a member of the Photoshop Hall of Fame, is an award-winning fine-art photographer and the Help Desk director for the National Association of Photoshop Professionals (NAPP). He has authored more than a dozen books on Photoshop, digital photography, and computer graphics, and is a contributing writer for Photoshop User and other magazines.

Most helpful customer reviews

25 of 28 people found the following review helpful.
A Rush Job that Simply Restates the Adobe Help File
By Sky Copilot
Photoshop CC has a completely different look than previous versions and has many more menus and options. If any app cries out for the "missing manual," this is the one. Experienced Photoshop users can quickly find most of the familiar tools and settings, but it would be almost impossible to figure out how to utilize the full power of the CC on one's own. I learned almost everything I know about Photoshop from my 10-year old, dog-eared copy of "Photoshop 6 for Dummies," and so I assumed that this book would provide the same kind of help. Wrong! Deke McClelland, the author of the old manual, was a lively and opinionated writer who could steer you through the maze of tools and menus by pointing out which were essential and which were repetitious or of little practical use. The CC manual, on the other hand, is a sleep-inducing compilation that adds little or nothing to what is available for free from Adobe's help file and online tutorials. There's not one opinion in this manual nor any other indication that the author has actually USED CC for work or pleasure. I suspect that when the Wiley Corporation,a giant publisher of technical books, acquired the "Dummies" brand they replaced the editors and writers who gave the books their distinctive character, I'm sure that they will find their way to innovative publishers. I just hope it will happen soon.

15 of 19 people found the following review helpful.
only a real dummy would buy this
By s. berger
i bought this book when i bought photoshop cc thinking that it would teach me how to use the product. what this book does is elaborately tell you what photoshop can do without actually telling you how to do anything. i read the first 5 chapters and couldn't even begin to work with my photos. i gave up after that. if you want a tome of nearly useless facts, this is the book for you. But if you want to work on your photos, don't be a dummy and buy something else. In all fairness, the author states that this dummies book is a "reference" volume -but do you really need a dictionary when all you want to know is how to fashion a basic sentence?

1 of 1 people found the following review helpful.
If you dont understand Photoshop CC dont buy this book.
By Amazon Customer
I am a long term amateur photographer and a reasonably proficient lightroom user. I have played around with many cheaper editing tools (eg PSE and GIMP over the years) I plumped for the LR and PS cc package when they came out so I was looking for a book to allow me get to grips with PS. I was very impressed by the dummies series of books - especially the recent exceptional "digital photography lighting". However "Photoshop for dummies" is nowhere near this standard and I cannot recommend it for the following reasons:

- I am guessing that most readers will be upgrading from basic editing tools like me. For such a readership the first third of the book is wasted - if we need to know what a pixel is in the 21st century then we've bought the wrong program let alone book.
- Likewise the authors enslavement to presenting balanced content for me leads the the last third being wasted too. I think he tacitly admits this by saying things like "it's a reference book". So the last third is non photographic uses of Photoshop and how to use a $2500 pen and tablet combo, 3D and video...
- Finally the middle of the book - probably the main reason people move to Photoshop: layers, selecting, masking, enhancing... This is a disaster. The matey tone is great but not for, lets face it, a software manual ... It's hard to follow the thread and practise what he is describing. I'm afraid we need clear step by step worked examples and clear pictures (see below). Stop describing the benefits and features and options.. .show us one good set of instructions and we will learn by doing.
- Did I mention the pictures? They are muddy and way too small. Important menu selections supposedly being described take up about a millimetre on the page. Whats weird is that the tiny pictures are surrounded by acres of wasted white gutter and margins etc or whatever its called in DTP.

In summary the author has tried to cover everything and fails completely in my opinion. The first third is too basic. The second third is just badly explained and formatted. And the last third is wasted on most people - probably way too little info for someone who needs it. I wish the author had researched what most people in the dummies bracket look for and help them through those tasks - the rest we can then figure out by practising, from the manual that comes with the $2500 tablet and on youtube.

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• Sales Rank: #11295086 in Books
• Published on: 2009
• Original language: English
• Dimensions: 7.01" h x 4.49" w x 1.20" l, .50 pounds
• Binding: Paperback

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