Foxdash: Maret 2013

Minggu, 31 Maret 2013

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This is the first fully comprehensive survey and analysis of masted structures and covers examples that have evolved during the past three decades.

Masted Structures are one of the most interesting developments in post-war architecture resulting from a combination of technology, structural engineering theory and a collaboration between architects and engineers.

This is an essential guide for architects to the structural and constructional implications of masted forms in relation to space enclosure, patterns of loading and use of differing materials and techniques. This useful volume will enable architects and engineers to understand the origins, development and nature of masted structures and will provide a stimulating basis for future design.

Sales Rank: #5021986 in Books
Published on: 1996-05-11
Released on: 1996-04-22
Original language: English
Number of items: 1
Dimensions: 11.69" h x .39" w x 8.26" l, .99 pounds
Binding: Paperback
170 pages

Review
'Highly informative and for designers interested in the subject it is the most thorough reference I have seen'
Architectural Review

'A comprehensive and well illustrated review of a large number of structures.'
Architect's Journal

'An excellent review of the subject, of interest not only to architects and engineers, but to anyone concerned with new architectural forms.'
Viewpoint magazine

'Masted Structures in Architecture is an essential reference resource and of interest to architects, students and developers.'
Hinge Magazine

'Impressive attention to detail'
Building Magazine

From the Publisher
This book is an essential guide for architects to the structural and constructional implications of masted forms in relation to space enclosure, patterns of loading and use of differing materials and techniques. This useful volume will enable architects and engineers to understand the origins, development and nature of masted structures and will provide a stimulating basis for future design.

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Kamis, 21 Maret 2013

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MERCENARY'S WOMAN

"Retired" soldier of fortune Ebenezer Scott was a bad boy to the core. Schoolteacher Sally Johnson was the fresh scrubbed beauty from across the street. When Sally's life was put in danger, Ebenezer fought to protect her. But this sweet-natured beauty yearned for so much more. She dreamed of a lifetime of love in Ebenezer Scott's big, strong arms. Could she slip through his ironclad defenses and become this beloved mercenary's bride?

THE WINTER SOLDIER

Everyone in Jacobsville, Texas, steered clear of taciturn Cy Parks. Except spirited Lisa Monroe. To shield the lovely Lisa from a revenge-seeking desperado, the winter soldier claimed her as his bride. Clearly, Cy was getting possessive of this alluring woman who needed the type of safeguarding only he could provide. But who would protect the beguiling bride from him?

Sales Rank: #816535 in Books
Published on: 2006-01-01
Original language: English
Number of items: 1
Dimensions: 1.11" h x 4.32" w x 6.66" l, .30 pounds
Binding: Mass Market Paperback
416 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Cy and Eb found wonderful supportive women to share their lives with
By Amazon Customer
I like the stories because they are adventurous and show the strength of the people dealing with their families adversaries.

5 of 5 people found the following review helpful.
Really glad i finally found this book.
By Avid Reader
I'm a huge DP fan...Really glad i found this book, it really completed the "jacobsville" gang...wonderful stories. would recommend to anyone.

8 of 11 people found the following review helpful.
I like other Diana Palmer books much better
By wintersbreeze
I thought that this book was ok. I would not re-read it though. This book did not lack in action and suspence though, there was a lot undercover agents, secret missions, police forces, special agents , etc... in this book that it kept me reading it. Other than that, there was hardly any romance in it. I bought this book as a romance book and it really wasn't. The second story was better than the first. In the first story, Eb and Sallie had a bitter past together and they seemed just too forgive and forget very easily. Like in one day they were friends. Then came all the action with the drug lords and Eb ended up saving the day! The second story was rushed but I liked it better than the first. It played off of the first story, so it leads off where the other ended. So, you enojy the mercs, going undercover to catch a drug lord. I think that Mrs. Palmer should have just wrote this as one big book instead of two.

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SAT math by Dr.Chung. Significantly improved test scores (personal experience)

Published on: 1600
Binding: Paperback

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Kamis, 14 Maret 2013

[D474.Ebook] Download The Making of a Racist: A Southerner Reflects on Family, History, and the Slave Trade, by Charles B. Dew

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In this powerful memoir, Charles Dew, one of America’s most respected historians of the South--and particularly its history of slavery--turns the focus on his own life, which began not in the halls of enlightenment but in a society unequivocally committed to segregation.

Dew re-creates the midcentury American South of his childhood--in many respects a boy’s paradise, but one stained by Lost Cause revisionism and, worse, by the full brunt of Jim Crow. Through entertainments and "educational" books that belittled African Americans, as well as the living examples of his own family, Dew was indoctrinated in a white supremacy that, at best, was condescendingly paternalistic and, at worst, brutally intolerant. The fear that southern culture, and the "hallowed white male brotherhood," could come undone through the slightest flexibility in the color line gave the Jim Crow mindset its distinctly unyielding quality. Dew recalls his father, in most regards a decent man, becoming livid over a black tradesman daring to use the front, and not the back, door.

The second half of the book shows how this former Confederate youth and descendant of Thomas Roderick Dew, one of slavery’s most passionate apologists, went on to reject his racist upbringing and become a scholar of the South and its deeply conflicted history. The centerpiece of Dew’s story is his sobering discovery of a price circular from 1860--an itemized list of humans up for sale. Contemplating this document becomes Dew’s first step in an exploration of antebellum Richmond’s slave trade that investigates the terrible--but, to its white participants, unremarkable--inhumanity inherent in the institution.

Dew’s wish with this book is to show how the South of his childhood came into being, poisoning the minds even of honorable people, and to answer the question put to him by Illinois Browning Culver, the African American woman who devoted decades of her life to serving his family: "Charles, why do the grown-ups put so much hate in the children?"

Sales Rank: #58133 in Books
Published on: 2016-08-09
Original language: English
Number of items: 1
Dimensions: 8.30" h x .90" w x 5.70" l, .0 pounds
Binding: Hardcover
200 pages

Review

Each one of Charles Dew’s books has helped shape the conversation on the history of race in this nation. His new book, which combines an honest autobiography of life in the 1950s with a sobering account of archival history and reckoning, is a characteristically eloquent reflection. Dew allows us to understand just how deeply racial thinking saturated white southerners who were otherwise admirable people. Charles Dew is one of our wisest and most humane historians.

(Edward L. Ayers, University of Richmond, author of The Promise of the New South: Life after Reconstruction)

The Making of a Racist provides a searching and brave account of the honeyed pathway to race hatred, the bracing disorientation of learning better, and the haunting, guilty sense of having been there, and knowing that so many have stayed behind.

(Walter Johnson, Harvard University, author of River of Dark Dreams: Slavery and Empire in the Cotton Kingdom)

About the Author

Charles B. Dew is Ephraim Williams Professor of American History at Williams College and the author of the Fletcher Pratt Award-winning Apostles of Disunion: Southern Secession Commissioners and the Causes of the Civil War (Virginia) and Bond of Iron: Master and Slave at Buffalo Forge, selected as a New York Times Notable Book of the Year.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Wanted more
By Sis Steele
After listening to an interview with Charles Dew, I eagerly anticipated this book. Unfortunately, in spite of Dew's engaging style and thoughtful memories, I was left wanting. The first part of the book deals with Dew's own experience of learning from day one that the Confederacy still existed, that African Americans were inferior, how his parents were complicit in those lessons, and the moments the veil fell from his eyes and he no longer was blind to racism in his family and world. The second part deals with the history of the dehumanization of enslaved people, owner and overseer history and how the institution was perpetuated without guilt.

The author adequately describes the struggle of loving one's parents but not loving the words they spoke or how they treated others. He describes the time when he felt his pangs of guilt over racist jokes or treatment of others. He states his case by how his students react to his stories and the slave sale documents and letters he has them read.

Dew does ask the question that I wonder, "How do people see evil right in front of them and do nothing?" But that is never answered. More's the pity. He toes a line between loving his parents and excusing them that for me was hard to read, though I understood it. I believe the overbearing presence of white privilege in his life was not fully discussed on a personal level even as this was a memoir.

2 of 2 people found the following review helpful.
Racism in America: From slavery to Jim Crow
By Emma
A well written and thought provoking look at the roots of racism in America, using a study of slavery as its basis. Thoroughly annotated. Both historical and personal in its approach. One of the main questions still not answered: how did all of the people who supported the slave trade, either as buyers or sellers, and later the cruelty of the Jim Crow South overlook the inhumanity it required? But maybe that is an impossible question to answer satisfactorily. Anyone perplexed by racism in America should read this.

3 of 3 people found the following review helpful.
Making of a Racist
By Joyce M. Steensrud
Another must-read, especially by older white Southerners. I've lived in the South for the past 54 of my 75 years so I qualify!! The book, written by an older white Southern historian, sheds light on my observations over the past 54 years of living in the South. It is a fascinating read - extensively researched- and I couldn't put it down.

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Minggu, 10 Maret 2013

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Behind Bars is the indispensable reference book for composers, arrangers, teachers and students of composition, editors, and music processors. In the most thorough and painstakingly researched book to be published since the 1980s, specialist music editor Elaine Gould provides a comprehensive grounding in notational principles.

Behind Bars covers everything from basic rules, conventions and themes to complex instrumental techniques, empowering the reader to prepare music with total clarity and precision. With the advent of computer technology, it has never been more important for musicians to have ready access to principles of best practice in this dynamic field, and this book will support the endeavors of software users and devotees of hand-copying alike. The author's understanding of, and passion for, her subject has resulted in a book that is not only practical but also compellingly readable.

This seminal and all-encompassing guide encourages new standards of excellence and accuracy and, at a weighty 704 pages, it is supported by 1,500 music examples of published scores from Bach to Xenakis.

Chapters include:
Section I - General * Conventions: Ground Rules * Chords -- Dotted notes -- Ties * Accidentals and Key Signatures * Dynamics and Articulation * Grace Notes, Arpeggiated Chords, Trills, Glissandos and Vibrato * Metre * Tuplets * Repeat Signs. Section II - Idiomatic Notation: Woodwind and Brass * Percussion * Keyboard * Harp * Classical Guitar * Strings * Vocal Music. Section III - Layout and Presentation: Preparing Materials * Score Layout * Part Preparation * Electroacoustic Music * Freedom and Choice.

Sales Rank: #180952 in Books
Brand: Faber Music
Model: 12-0571514561
Published on: 2011-01-20
Original language: English
Dimensions: 9.25" h x 6.25" w x 2.00" l, .66 pounds
Binding: Hardcover
704 pages

Features

Used Book in Good Condition

Review
"I pray that [this book] becomes a kind of Holy Writ for notation in this coming century. Certainly nobody could have done it better, and it will be a reference for musicians for decades to come." Not my words, but those of Simon Rattle (one of only two conductors to escape censure from Peter Maxwell Davies earlier this week; only Rattle and Pierre Boulez emerged unscathed as "masters of their art" in his recent pop at the profession) on Elaine Gould's new book, Behind Bars: The Definitive Guide to Music Notation. This "wonderful monster volume" - Rattle again - is indeed more than the sum of its parts. Gould's book is the result of decades of experience as senior new music editor at Faber Music, where she has worked closely with composers like Jonathan Harvey, Oliver Knussen, Colin Matthews, and Thomas Ades, and what she has to say in Behind Bars transcends the book's first appearance as a manual of notational best practice. Under the surface of its guide to producing the best and clearest scores - the arcana of making sure you're not asking your harpist for too many pedal changes, that you change clefs in the right place in your orchestral parts, and how best to indicate the plethora of extended instrumental techniques in so much contemporary music - this book expounds an alchemical formula for musical communication. Gould's book shows composers how to ensure that the magical transfer of musical ideas from their imaginations to their scores, from their performers to their audiences, is as seamless as possible. Behind Bars is a practical revelation of the poetics of musical communication. It's especially necessary in the early 21st century. You might think that after centuries of evermore sophisticated copying, printing, and digitising of music notation that all the problems had been solved. Not a bit of it. The rash of computer scores produced with programmes like Sibelius in the last couple of decades are a mixed blessing. Software like Sibelius allows composers to create full scores and individual parts for the musicians at the click of a button, yet it's too easy to overlook the kind of problems that Gould talks about - where a badly placed page-turn in your string parts can mean the difference between a good performance and a catastrophic one. Gould quotes Mahler's frustration with the copyist who mauled the material of his Eighth Symphony before its first performance in Munich in 1910; looking at his exemplary manuscript of the Fifth Symphony that the Morgan Library has just made available for free online, you can see that Mahler abided by Gould's principles of clarity and consistency. But I wonder what Gould would say to Beethoven, if she were faced with pages like this, from the manuscript of the Ninth Symphony, whose facsimile was recently published by Barenreiter? It's not just a contemporary phenomenon: composers have always pushed at the limits of musical and notational comprehensibility. The Guardian (Tom Service), 12 January 2011 'Say "musical composition" and you identify a process: but "a musical composition" is very much a product, a commodity: and never more so than when it takes the form of materials from which performers sing or play, and academics build their theories about music history and aesthetics. Philosophers might continue to agonise about the extent to which a printed score represents the composition. Performers are much more likely to agonise about whether the materials put before them make sense and, if you ask professional musicians where they would like to see composers whose materials create tough challenges for them, "behind bars" would be one of the politer suggestions forthcoming. Composers best able to avoid the lash of performers' hostility are those lucky enough to work with a well-established publishing operation, and that means an editor like Faber Music's Elaine Gould. After more than 20 years in the business, Gould has seen (and heard) it all and Behind Bars is an encyclopedic distillation of practical professional wisdom, fully justifying its bold subtitle, "The Definitive Guide to Music Notation". Not even Gould can teach you how to compose a good work, of course: but her book is a matchless source of practical advice, all geared to the wryly understated observation that "players will tend to be well disposed towards a work whose instrumental parts are carefully prepared". The book has three main parts: "General Conventions" discusses the notational basics of pitch and rhythm, "Idiomatic Notation" has a section for each of the instrumental families, with harp and classical guitar treated separately, and one for voices: finally "Layout and Presentation" deals not only with the creation of a conventional score, but with issues in electro-acoustic and computer music that bring the story bang up to date. The copious illustration in music type (Richard Emsley was the indefatigable typesetter) show how not to do things as well as how best to do them, and although Gould makes occasional use of extracts from such composers as Elliott Cater and Jonathan Harvey, the bulk of the illustrations - which it has to be said, vary considerably in their relation to "real" music - are (presumably) of her own "composition", with help from those members of the Faber Music family mentioned in her Acknowledgements. Gould's text inevitably reflects the piecemeal manner in which music notation has evolved, with its (for outsiders) crazy mixture of instruction in French, Italian, and other languages, but offering a salutary demonstration of cultural pluralism in action, and all in the service of what is still sometimes hailed as the "universal language" of music. Perhaps that should be Western music, since other music's seem not to need guides such as this. Notation can never be so rigidly "definitive" that it leaves absolutely nothing to the imagination of interpreters: but Gould's guide is as good a source as you can get for how to ensure that your score and parts are approached in a positive spirit by those contracted to realize them as living sound.' Gramophone Magazine (Arnold Whittall), February 2011"

About the Author
Elaine Gould has been Senior New Music Editor at Faber Music since 1987, in which capacity she has edited the complex and varied scores of such composers as Oliver Knussen, Jonathan Harvey, George Benjamin, Colin Matthews and Thomas Ades. Before this she was a free-lance copyist, specialising in copying contemporary music for several leading British music publishers. She is among the most highly respected music editors currently working in the field.

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7 of 7 people found the following review helpful.
Truly a milestone in the history of music notation
By PianoGuyFromSC
This huge (650-page) volume is a must addition to the library of anyone who is seriously involved in writing or editing published music. It covers virtually every conceivable notational dilemma, including writing for specific instrument groups, and the proper layout of scores. The author has decades of experience and it shows, but she is not pedantic and has a sense of humor (as the title might indicate). The book is loaded with musical examples as well as descriptive text.

If you are not a music professional, do NOT spend 100 dollars on this book. There are plenty of simple volumes that will give you the basics of notation for most purposes. But as an editor for a music publisher, I consider it well worth the money and will keep it close to my desk along with my dictionary and orchestration manuals!

9 of 10 people found the following review helpful.
As the subtitle says, it's the definitive guide to music notation
By Joseph
Behind Bars is the Bible of music notation for fully notated music, be it band, choral, orchestral, or experimental. It doesn't address lead sheets or other pop notation, so songwriters, jazz, and popular musicians may not find it as useful, but for its target audience--composers, arrangers, orchestrators, and the like--it is an invaluable resource. Think of it as the Chicago Manual of Style for music. I cannot recommend it highly enough.

5 of 6 people found the following review helpful.
Excellent resource for classical, jazz, band, and some electronic composers
By Chris Sahar
This is comprehensive and updated. Excellent as my title says for classical, jazz, band, and some electronic compositions. For music editors fantastic. I should say it is good for pop IF it is piano accompaniment with lyrics or a band with singer (not using lead sheets).

As one reviewer wrote do not spend the money if you do not write orchestral or large band music. If your medium of composition is piano, chamber works, writing lead sheets, or straightforward choral works, Sibelius notation software offers INDIRECTLY through its instruction manual good thorough basics on notation. If you want a direct manual Dover has issued a Norton Guide to notation.

But if you are a composer who write or intends to write for large forces or works with a great deal of chromaticism, meter changes, use of more complex rhythms, and some extended techniques, PLEASE get this book. A tidy, well-laid out score will significantly increase your chances performers will review your arrangements and/or compositions. I guarantee that they will play it better than if you present a carelessly prepared score.

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[M310.Ebook] Ebook Gertrude Bell, by H.V.F. Winstone

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Ebook Gertrude Bell, by H.V.F. Winstone

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"I don't care to be in London much. I like Baghdad, and I like Iraq. It's the real East, and it is stirring; things are happening here, and the romance of it all touches and absorbs me." So wrote Gertrude Bell, as she reflected on the path she had chosen in life. Adventurer, archaeologist, and Arabist, Bell cut a unique figure in the turbulent politics of the Middle East during the First World War and its aftermath. This book will appeal to all those keen to gain a real understanding of the history behind the headlines in Iraq, and an insight into the life and times of one of the twentieth century's most extraordinary women.

Sales Rank: #1555614 in Books
Brand: Brand: Stacey Intl
Published on: 1978-12-31
Original language: English
Number of items: 1
Dimensions: 9.25" h x 6.00" w x 1.75" l, 2.10 pounds
Binding: Hardcover
504 pages

Features

Used Book in Good Condition

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6 of 6 people found the following review helpful.
A REMARKABLE BIOGRAPHY OF GERTRUDE BELL
By MICHAEL STONEHILL
This is the third biography that I've read on this remarkable woman and by far the best. Winstone(who died in 2010) takes the reader through every aspect of Bell's life(1868-1926) focusing on her privileged upbringing as the daughter of Sir Hugh Bell, through her years at Oxford, mountain climbing in Switzerland, her travels to the Middle East(Syria, Palestine & Arabia), her work both during and after World War One, and finally her work on the formation of modern day Iraq(called Mesopotamia by the British) and the establishment of the Iraqi National Archaeology Museum. Winstone leaves no stone unturned in going over Bell's life. It's all here from her unconsummated love affair with the married Charles Doughty-Wylie whose death at Gallipoli(in 1915) affected her the rest of her life, to her dealing with two men who were her contemporaries(Winston Churchill & T.E. Lawrence) who received far more attention and acclaim than she did in her lifetime. And there are the little things too, such as her terrible handwriting and her passion for Egyptian cigarettes(which probably contributed to her early death at age 57). During her lifetime Bell was a writer, photographer, political administrator, traveler and shaper of nations. Despite all these titles, she considered herself an archaeologist first and her work in this field is still being studied today nearly a hundred years later. One thing that Winstone mentions in his biography is that Bell did not like being photographed herself so there are very few photos of her. The great English painter Edward Poynter painted a portrait of Bell when she was eight years old(in 1876) that shows her standing beside her father. With her long red hair and beautiful features, the look in her eyes tells anyone looking upon the portrait that she was destined for greatness. It's a shame that she is mostly forgotten by history considering how much she contributed to the making of that history. Her life has been overshadowed by T.E. Lawrence(of Arabia fame) but it's impact on history cannot be understated. Along with the other two recent biographies of Bell by Janet Wallach and Georgina Howell, hopefully this remarkable woman's life will be rediscovered. It would make a great mini-series. In the meantime, H.V.F. Winstone's biography is a must read for anyone interested in the Middle East and one of the most remarkable women who was a major player in shaping that region.

3 of 3 people found the following review helpful.
Will the real GB please stand up...
By Larry N. Stout
Winstone reveals himself in this updated edition as an astute student of history with insight into historical personalities. This is a no-nonsense, unworshipful biography by a very interested, yet disinterested, author; accordingly, the presented life of GB is that of a person, a remarkable and accomplished woman, but neither idol nor heroine. An informative book that provides a sound understanding of the much-mythologized GB, and of the events and times of her life. Unfortunately, a matter-of-fact book is seldom highly engrossing. Nits: the index is erratic (one of my pet peeves!), and in the back-of-book time-comprehensive chronology the Byzantine emperor-warrior Heraclius is misnamed "Heraclitus" (famous philosopher of Ephesus).

29 of 30 people found the following review helpful.
Queen of the Desert
By Avid Reader
I first learned about Bell while studying archaeology and knew only of her involvement with the founding of the Iraq museum . However, I was unaware of the extent of her involvement in the politics of the region. This book is a timely and recommended read for anyone interested in the current situation in Iraq and the Middle East. It provides an well-written and fascinating look at the personalities and forces that shaped the region-Bell being one-and provides insight into the background of the conflicts there. It also is a brilliant portrait of Bell herself and the world of a daughter of privelege in the last days of the British Empire.

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Sabtu, 02 Maret 2013

[H226.Ebook] PDF Ebook Case Studies in Organizational Communication: Ethical Perspectives and Practices

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Sales Rank: #11320349 in Books
Published on: 1994
Binding: Paperback

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Jumat, 01 Maret 2013

[E829.Ebook] Free Ebook Antique Golf Collectibles, Identification & Value Guide; Clubs, Balls, Books, Ceramics, Metalwares, Ephemera, by Pete Georgiady

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In the world of sports, golf stands unique. Its memorabilia goes back over two centuries and it offers collectors an enormous breadth of items to accumulate, much at very affordable prices. The 750 color photographs in this volume provide an introduction to the different categories of golf collectibles. Antique golf clubs and balls, the heart of the game, are covered in detail. Books about golf, comics, old photographs, postage stamps, postcards, jewelry, ceramics, silverware, and toys from the United States and Britain show how golf themes have been incorporated into the form of everyday items for over a century. Museum quality pieces are presented along with items still available at flea markets and swap meets. This book guides the collector on a tour of the many facets of golf and demonstrates that there is still plenty of opportunity to develop a collection of golf items.

Sales Rank: #870180 in Books
Brand: Brand: Collector Books
Published on: 2006-04-01
Format: Illustrated
Original language: English
Number of items: 1
Dimensions: 11.00" h x .75" w x 8.50" l, 2.74 pounds
Binding: Hardcover
304 pages

Features

Used Book in Good Condition

Review
There are lots of books on golf collectibles out there. However, Antique Golf Collectibles newly released from Collector Books is one of the best organized and delivered of them all. The wide coverage includes clubs, balls, ceramics, metal wares, and all sorts of (paper) ephemera. "Golf is older than soccer, tennis, and the modern Olympics," notes author Pete Georgiady. "It is still a relatively quite pastime. It's not overcrowded and the items are not overpriced."

About the Author
When Pete Georgiady is not involved in golf research, golf collecting, or golf writing, he is probably watching tapes and reading newspaper reports of his beloved Manchester United Football Club. He is an avid fan of English and Scottish Premier League soccer. He enjoys playing golf and antiquing. His home is a mixture of antique items and golf memorabilia. He has an unabated love for British golf, especially the formative years in Scotland.

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0 of 0 people found the following review helpful.
Poor Quality.
By steve c.
Very poor quality. When I received it (New) the pages were separated from the spine.

0 of 0 people found the following review helpful.
A "must" for the hobby!
By Gary R. King
As a beginner in the hobby, this gave me an idea where to begin and it continues to guide me as my knowledge and collection grows.

1 of 1 people found the following review helpful.
Great book for golfers
By paulfrank
A must have book if you are at all interested in collecting golf stuff.,or not, it is very a great book full of information

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Antique Golf Collectibles, Identification & Value Guide; Clubs, Balls, Books, Ceramics, Metalwares, Ephemera, by Pete Georgiady PDF
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