Senin, 29 November 2010

[F306.Ebook] Download Ebook Primary Mathematics: Answer Keys for Textbooks and Workbooks, Levels 4A-6B (Standards Edition), by Marshall Cavendish Education

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Primary Mathematics: Answer Keys for Textbooks and Workbooks, Levels 4A-6B (Standards Edition), by Marshall Cavendish Education

This answer key booklet contains answers for Primary Mathematics Standards Edition textbooks and workbooks from Primary 4 through Primary 6. It does not include answers to the mathematical concept pages at the start of each chapter of the textbook.Note: Answers or answer keys are found in the teacher s guides and home instructor s guides. If you are purchasing these guides, you do not need the answer key booklets. This answer key booklet can be used with Primary Mathematics Standards Edition textbooks and workbooks. It cannot be used with Primary Mathematics U.S. Edition and 3rd Edition books. Format: 114 pages, paperback Publisher: Marshall Cavendish/Singapore Math ISBN: 9780761457343

  • Sales Rank: #470632 in Books
  • Published on: 2010
  • Number of items: 1
  • Dimensions: .88 pounds
  • Binding: Paperback
  • 114 pages

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[H345.Ebook] Ebook Download Development Through Life: A Psychosocial Approach, by Barbara M. Newman, Philip R. Newman

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Development Through Life: A Psychosocial Approach, by Barbara M. Newman, Philip R. Newman

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Development Through Life: A Psychosocial Approach, by Barbara M. Newman, Philip R. Newman

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Development Through Life: A Psychosocial Approach, by Barbara M. Newman, Philip R. Newman

Newman and Newman use a chronological approach to present development across the life span, drawing on the psychosocial theory of Erik Erikson to provide a conceptual framework for the text. The authors address physical, intellectual, social, and emotional growth in all life stages, focusing on the idea that development results from the interdependence of these areas at every stage, and placing special emphasis on optimal development through life.

  • Sales Rank: #15576 in Books
  • Published on: 2014-02-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x 1.30" w x 8.70" l, .0 pounds
  • Binding: Hardcover
  • 800 pages

About the Author
Barbara M. Newman (Ph.D., University of Michigan) is a professor in the Department of Human Development and Family Studies at the University of Rhode Island. She has also been on the faculty at Russell Sage College and The Ohio State University, where she served as department chair in Human Development and Family Science and as associate provost for Faculty Recruitment and Development. She teaches courses in life-span development, adolescence, family theories, and the research process. Also an active researcher, Dr. Newman's interests focus on parent-child relationships in early adolescence, factors that promote success in the transition to high school, and the use of the cohort sequential design as an approach to the study of development. Her research includes an analysis of the role of family, peer, and school support in the transition to high school (funded by the University of Rhode Island's Research Foundation). For fun, Newman enjoys reading, making up projects with her grandchildren, taking walks along Narragansett Bay and Block Island Sound, and spending time with her family.

Philip R. Newman (Ph.D., University of Michigan) is involved in research on the transition to high school as well as on group identity and alienation. His projects include an analysis of issues related to disrupted transitions in adolescence and early adulthood, and a book about how high schools can meet the psychosocial needs of adolescents. He has taught courses in introductory psychology, adolescence, social psychology, developmental psychology, counseling, and family, school, and community contexts for development. He served as the director for Research and Evaluation of the Young Scholars Program at The Ohio State University and as the director of the Human Behavior Curriculum Project for the American Psychological Association. He is a fellow of the American Psychological Association, the Society for the Psychological Study of Social Issues (SPSSI), and the American Orthopsychiatric Association. For fun, Newman enjoys photography, reading mysteries, attending concerts and Broadway plays, and watching baseball. He home schooled his three children through elementary and middle school. Together, the Newmans have worked on programs to bring low-income minority youths to college and to study the processes involved in their academic success. They are coauthors of 13 books, including a book on theories of human development, and numerous articles in the field of human development.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Some stages needed better attention. Others were intuitively cared for somehow
By Bren Unti
While the writing style of this large volume of precious material is at times hard to parce, in all I found it to be filled with essential educational material on the stages of our lives. How tragic are some stories when no one who understands the stages is available to lessen the stresses and sorrows. Yet, how fulfilling it is to finish the book and then go back to review one's own stages. Some stages needed better attention. Others were intuitively cared for somehow.
Terrific work. A bit on toxic stress and trauma and attachment together---perhaps a few footnotes---could send a student on a great adventure. That said, there are a plethora of issues to delve into and no text can point to all cunning issues.
Good work. As a student, I thank the authors.

2 of 2 people found the following review helpful.
I don't usually rate text books because they are stupid expensive. I am in my masters program for ...
By T Hodges
I don't usually rate text books because they are stupid expensive. I am in my masters program for psychology, I have to say this book is the best Ive ever read it has a lot of really good info and is literally in order as children age and become elderly. This is one of the fewest books that I wish I bought and not rent

1 of 1 people found the following review helpful.
and while the information was useful, the writing was atrocious
By Thomas Christopher Walden
This was required reading for a class, and while the information was useful, the writing was atrocious. Repetitive, long-winded, very droll. I'm not expecting much from a textbook, which makes this that much worse. Paragraphs repeat themselves, concepts are explained and re-explained seemingly at random, and there were more than a few instances in which a concept would be employed, but not explained until much later in the chapter, leading to a sense of aimlessness and confusion.

It worked for the class, but I'm glad I don't own it.

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[N120.Ebook] Download Ebook Fool's Assassin: Book I of the Fitz and the Fool Trilogy, by Robin Hobb

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Fool's Assassin: Book I of the Fitz and the Fool Trilogy, by Robin Hobb

NEW YORK TIMES BESTSELLER

Nearly twenty years ago, Robin Hobb burst upon the fantasy scene with the first of her acclaimed Farseer novels, Assassin’s Apprentice, which introduced the characters of FitzChivalry Farseer and his uncanny friend the Fool. A watershed moment in modern fantasy, this novel—and those that followed—broke exciting new ground in a beloved genre. Together with George R. R. Martin, Robin Hobb helped pave the way for such talented new voices as Scott Lynch, Brandon Sanderson, and Naomi Novik.
 
Over the years, Hobb’s imagination has soared throughout the mythic lands of the Six Duchies in such bestselling series as the Liveship Traders Trilogy and the Rain Wilds Chronicles. But no matter how far she roamed, her heart always remained with Fitz. And now, at last, she has come home, with an astonishing new novel that opens a dark and gripping chapter in the Farseer saga.
 
FitzChivalry—royal bastard and former king’s assassin—has left his life of intrigue behind. As far as the rest of the world knows, FitzChivalry Farseer is dead and buried. Masquerading as Tom Badgerlock, Fitz is now married to his childhood sweetheart, Molly, and leading the quiet life of a country squire.
 
Though Fitz is haunted by the disappearance of the Fool, who did so much to shape Fitz into the man he has become, such private hurts are put aside in the business of daily life, at least until the appearance of menacing, pale-skinned strangers casts a sinister shadow over Fitz’s past . . . and his future.
 
Now, to protect his new life, the former assassin must once again take up his old one. . . .

Praise for Fool’s Assassin
 
“Hobb knows the complicated workings of the wayward human heart, and she takes time to depict them in her tale, to tell her story sweetly, insistently, compellingly. . . . A book meant to be inhabited rather than run through.”—The Seattle Times
 
“[FitzChivalry Farseer is] one of the best characters in fantasy literature.”—Fantasy Book Review
 
“[Hobb’s] prose sparkles, her characters leap off the page.”—Tor.com
 
“Modern fantasy at its irresistible best.”—The Guardian
 
“Fantastic . . . emotionally rich storytelling.”—Library Journal (starred review)

Praise for Robin Hobb
 
“Fantasy as it ought to be written . . . Robin Hobb’s books are diamonds in a sea of zircons.”—George R. R. Martin


From the Hardcover edition.

  • Sales Rank: #35158 in Books
  • Published on: 2015-07-28
  • Released on: 2015-07-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.88" h x 1.15" w x 4.14" l, .72 pounds
  • Binding: Mass Market Paperback
  • 704 pages

Review
Praise for Fool’s Assassin
 
“[Robin] Hobb knows the complicated workings of the wayward human heart, and she takes time to depict them in her tale, to tell her story sweetly, insistently, compellingly. . . . A book meant to be inhabited rather than run through.”—The Seattle Times
 
“[FitzChivalry Farseer is] one of the best characters in fantasy literature.”—Fantasy Book Review
 
“[Hobb’s] prose sparkles, her characters leap off the page.”—Tor.com
 
“Modern fantasy at its irresistible best.”—The Guardian
 
“Fantastic . . . emotionally rich storytelling.”—Library Journal (starred review)
 
Praise for Robin Hobb
 
“Fantasy as it ought to be written . . . Robin Hobb’s books are diamonds in a sea of zircons.”—George R. R. Martin


From the Hardcover edition.

About the Author
Robin Hobb is the author of the Farseer Trilogy, the Liveship Traders Trilogy, the Tawny Man Trilogy, the Soldier Son Trilogy, and the Rain Wilds Chronicles. She has also written as Megan Lindholm. She is a native of Washington State.

Excerpt. © Reprinted by permission. All rights reserved.
9780553392425|excerpt

Liss / FOOL'S ASSASSIN

Chapter 1

Withywoods



Burrich, old friend,

Well, we are settled here, I suppose. It has not been a pleasant time for me, or for you if your somewhat terse message conceals as much as I suspect it does. The house is immense, far too large for the two of us. It is so like you to ask after our mounts before inquiring after my own health. I will answer that query first. I’m pleased to tell you that Silk has taken the change in stable quite calmly, as the well-­mannered palfrey she has always been. Tallfellow, in contrast, has made a new hobby out of bullying the resident stallion, but we have taken steps to be sure their stalls and paddocks are well separated now. I’ve reduced his grain and there is a young stableman here named, oddly enough, Tallman, who was absolutely ecstatic to receive my request that he take the horse out and run him hard at least once a day. With such a regimen, I am sure he will soon settle.

My lady wife. You did not ask after her, but I know you well, my friend. So I will tell you that Patience has been furious, wounded, melancholy, hysterical, and altogether of a hundred different minds about the situation. She berates me that I was unfaithful to her before we met, and in the next instant forgives me and blames herself that she has not furnished me an heir, given that “it is evident that the problem is entirely with me.” Somehow, we two will weather this.

I appreciate that you have taken command of my other responsibilities there. My brother has told me enough of your charge’s temperament that I send my sympathy to both of you and my deepest thanks. On whom else could I rely at a time such as this, for a favor so extreme?

I trust you to understand why I remain circumspect in this regard. Give Vixen a pat, a hug, and a large bone from me. I am confident that I owe as much to her vigilance as to yours. My wife is calling for me down the halls. I must end this and send it on its way. My brother may have words for you from me when next your paths cross.

Unsigned letter from Chivalry to Stablemaster Burrich

Fresh snowfall perched in white ramparts on the bare black birch limbs that lined the drive. White gleamed against black, like a fool’s winter motley. The snow came down in loose clumps of flakes, adding a fresh layer of glistening white to the banked snow in the courtyard. It was softening the hard ridges of fresh wheel tracks in the carriageway, erasing the boys’ footprints in the snow and smoothing the rutted pathways to mere suggestions of themselves. As I watched, another carriage arrived, drawn by a dapple-­gray team. The driver’s red-­cloaked shoulders were dusted with snow. A page in green and yellow darted from the steps of Withywoods to open the carriage door and gesture a welcome to our guests. From my vantage I could not tell who they were, save that their garb bespoke Withy merchants rather than gentry from one of the neighboring estates. As they passed out of my view and their driver moved the carriage off to our stables, I looked up at the afternoon sky. Definitely more to come. I suspected it would snow all night. Well, that was fitting. I let the curtain fall and turned as Molly entered our bedchamber.

“Fitz! You aren’t ready yet?”

I glanced down at myself. “I thought I was . . .”

My wife clicked her tongue at me. “Oh, Fitz. It’s Winterfest. The halls are festooned with greenery, Patience had Cook create a feast that will probably sustain the whole household for three days, all three sets of minstrels that she invited are tuning up, and half our guests have already arrived. You should be down there, greeting them as they enter. And you’re not even dressed yet.”

I thought of asking her what was wrong with what I was wearing, but she was already digging through my clothing chest, lifting garments, considering them, and discarding them. I waited. “This,” she said, pulling out a white linen shirt with ridges of lace down the sleeves. “And this jerkin over it. Everyone knows that wearing green at Winterfest is good luck. With your silver chain to match the buttons. These leggings. They’re old-­fashioned enough to make you look like an old man, but at least they’re not as saggy as those you have on. I know better than to ask you to wear your new trousers.”

“I am an old man. At forty-­seven, surely I’m allowed to dress as I please.”

She lowered her brows and gave me a mock glare. She set her hands to her hips. “Are you calling me an old woman, sirrah? For I seem to recall I have three years on you.”

“Of course not!” I hastily amended my words. But I could not resist grumbling, “But I have no idea why everyone wishes to dress as if they are Jamaillian nobility. The fabric on those trousers is so thin, the slightest bramble would tear them, and . . .”

She looked up at me with an exasperated sigh. “Yes. I’ve heard it from you a hundred times. Let’s ignore that there are few brambles inside Withywoods, shall we? So. Take these clean leggings. The ones you have on are a disgrace; didn’t you wear them yesterday when you were helping with that horse that had a cracked hoof? And put on your house shoes, not those worn boots. You’ll be expected to dance, you know.”

She straightened from her excavation of my clothing chest. Conceding to the inevitable, I’d already begun shedding garments. As I thrust my head out of the shirt, my gaze met hers. She was smiling in a familiar way, and as I considered her holly crown, the cascading lace on her blouse and gaily embroidered kirtle, I found a smile to answer hers. Her smile broadened even as she took a step back from me. “Now, Fitz. We’ve guests below, waiting for us.”

“They’ve waited this long, they can wait a bit longer. Our daughter can mind them.”

I advanced a step. She retreated to the door and set her hand to the knob, all the while shaking her head so that her black ringlets danced on her brow and shoulders. She lowered her head and looked up at me through her lashes, and suddenly she seemed just a girl to me again. A wild Buckkeep Town girl, to be pursued down a sandy beach. Did she remember? Perhaps, for she caught her lower lip between her teeth and I saw her resolve almost weaken. Then, “No. Our guests can’t wait, and while Nettle can welcome them, a greeting from the daughter of the house is not the same as an acknowledgment from you and me. Riddle may stand at her shoulder as our steward and help her, but until the king gives his permission for them to wed, we should not present them as a couple. So it is you and I who must wait. Because I’m not going to be content with ‘a bit’ of your time tonight. I expect better effort than that from you.”

“Really?” I challenged her. I took two swift steps toward her, but with a girlish shriek she was out the door. As she pulled it almost shut, she added through the crack, “Hurry up! You know how quickly Patience’s parties can get out of hand. I’ve left Nettle in charge of things, but you know, Riddle is very nearly as bad as Patience.” A pause. “And do not dare to be late and leave me with no dancing partner!”

She shut the door just as I reached it. I halted and then, with a small sigh, went back for my clean leggings and soft shoes. She would expect me to dance, and I would do my best. I did know that Riddle was apt to enjoy himself at any sort of festivity at Withywoods with an abandon that was very unlike the reserved fellow he showed himself at Buckkeep, and perhaps not precisely correct for a man who was ostensibly just our former household steward. I found myself smiling. Where he led, sometimes Nettle followed, showing a merry side of herself that she, too, seldom revealed at the king’s court. Hearth and Just, the two of Molly’s six grown sons who were still at home, would need very little encouragement to join in. As Patience had invited half of Withy and far more musicians than could perform in one evening, I fully expected that our Winterfest revelry would last at least three days.

With some reluctance, I removed my leggings and pulled on the trousers. They were a dark green that was nearly black, thin linen, and almost as voluminous as a skirt. They tied at my waist with ribbons. A broad silk sash completed the ridiculous garment. I told myself that my wearing them would please Molly. I suspected that Riddle would have been bothered into donning similar garb. I sighed again, wondering why we must all emulate Jamaillian fashions, and then resigned myself to it. I finished dressing, badgered my hair into a warrior’s tail, and left our bedchamber. I paused at the top of the grand oak staircase; the sounds of merriment drifted up to me. I took a breath as if I were about to dive into deep water. I had nothing to fear, no reason to hesitate, and yet the ingrained habits of my distant boyhood still clutched at me. I had every right to descend this stair, to walk among the glad company below as master of the house and husband to the lady who owned it. Now I was known as Holder Tom Badgerlock, common-­born perhaps but elevated alongside Lady Molly to gentry status. The bastard FitzChivalry Farseer—­grandson and nephew and cousin to kings—­had been laid to rest twoscore years ago. To the folk below, I was Holder Tom and the founder of the feast they would enjoy.

Even if I was wearing silly Jamaillian trousers.

I paused a moment longer, listening. I could hear two distinct groups of minstrels vying to tune their instruments. Riddle’s laugh rang suddenly clear and loud, making me smile. The hum of voices from the Great Hall lifted in volume and then fell again. One set of minstrels gained ascendancy, for a lively drumbeat suddenly broke through the voices to dominate all. The dancing would soon begin. Truly, I was late, and had best descend. Yet there was sweetness to standing here, above it all, imagining Nettle’s flashing feet and sparkling eyes as Riddle led her through the dance steps. Oh, and Molly! She would be waiting for me! I had become a passable dancer over the years, for her sake, as she loved it so. She would not easily forgive me if I left her standing.

I hurried down the polished oak steps two at a time, reached the hall foyer, and was there suddenly ambushed by Revel. Our new young steward was looking very fine indeed in a white shirt, black jacket, and black trousers in the Jamaillian fashion. His green house shoes were startling, as was the yellow scarf at his throat. Green and yellow were the Withywoods colors, and I suspected these accoutrements were Patience’s idea. I did not let the smile curve my mouth but I think he read it in my eyes. He stood even taller and looked down at me as he soberly informed me, “Sir, there are minstrels at the door.”

I gave him a puzzled glance. “Well, let them in, man. It’s Winterfest.”

He stood still, his lips folded in disapproval. “Sir, I do not think they were invited.”

“It’s Winterfest,” I repeated, beginning to be annoyed. Molly would not be pleased at being kept waiting. “Patience invites every minstrel, puppeteer, tumbler, tinker, or blacksmith she meets to come and sojourn with us for a time. She probably invited them months ago and forgot all about it.”

I did not think his back could get stiffer, but it did. “Sir, they were outside the stable, trying to peer in through a crack in the planking. Tallman heard the dogs barking and went to see what it was about and found them. That is when they said they were minstrels, invited for Winterfest.”

“And?”

He took a short breath. “Sir, I do not think they are minstrels. They have no instruments. And while one said they were minstrels, another said, no, they were tumblers. But when Tallman said he would walk them up to the front door, they said that he needn’t, they only wished to beg shelter for the night, and the stable would be fine.” He shook his head. “Tallman spoke to me privately when he brought them up. He thinks they’re none of what they claim to be. And so do I.”

I gave him a look. Revel folded his arms. He did not meet my glance, but his mouth was stubborn. I found a bit of patience for him. He was young and fairly new to the household. Cravit Softhands, our ancient steward, had died last year. Riddle had stepped up to shoulder many of the old man’s duties, but insisted that Withywoods needed a new steward trained. I’d casually replied that I did not have time to find one, and within three days Riddle had brought Revel to us. After two months, Revel was still learning his place, I told myself, and considered that perhaps Riddle had infused him with a bit too much caution. Riddle was, after all, Chade’s man, insinuated into our household to watch my back and probably spy on me. Despite his current merriness and devotion to my daughter, he was a man steeped in carefulness. Given his way, we’d have had a guard contingent at Withywoods to rival the Queen’s Own. I reined my mind back to the question at hand.

“Revel, I appreciate your care. But it’s Winterfest. And be they minstrels or wandering beggars, no man should be turned from our door on such a holiday, or on such a snowy evening. While there’s room in the house, they need not sleep in the stable. Bring them in. I’m sure all will be well.”

“Sir.” He was not agreeing, but he was obeying. I suppressed a sigh. That would do for now. I turned to join the throng in the Great Hall.

“Sir?”

I turned back to him. My voice was stern as I asked him, “Is there something else, Revel? Something pressing?” I could hear the tentative notes of musicians bringing their instruments into harmony, and then the music suddenly opened into blossom. I’d missed the start of the first dance. I gritted my teeth as I thought of Molly standing alone, watching the dancers whirl.

I saw his teeth catch for an instant on his lower lip. He decided to press on. “Sir, the messenger still waits for you in your study.”

“Messenger?”

Revel gave a martyred sigh. “Hours ago, I sent one of our temporary pages looking for you with a message. He said he shouted it at you through the door of the steams. I have to inform you, sir, this is what comes of us using untrained boys and girls as pages. We should have a few here permanently, if only to train them for future need.”

At my wearied look, Revel cleared his throat and changed tactics. “My apologies, sir. I should have sent him back to confirm you’d heard him.”

“I didn’t. Revel, would you mind dealing with it for me?” I took a hesitant step toward the hall. The music was rising.

Revel gave a minute shake of his head. “I am very sorry, sir. But the messenger says the message is specifically for you. I have asked twice if I could be of any help, and offered to write the message for you.” He shook his head. “The messenger insists that only you can receive the words.”

I guessed the message, then. Holder Barit had been trying to wrangle me into agreeing that he could pasture some of his flock with our sheep. Our shepherd had adamantly insisted that this would be too many beasts for our winter pasturage. I intended to listen to Shepherd Lin, even if Barit was now willing to offer a decent amount of money. Winterfest eve was no time to be doing business. It would keep. “It’s fine, Revel. And don’t be too stern with our pages. You are right. We should have one or two on staff. But most of them will grow up to work in the orchards or follow their mothers’ trades. It’s rare that we need them here at Withy.” I didn’t want to be thinking about this right now. Molly was waiting! I took a breath and made my decision. “Thoughtless as it is for me to have left a messenger waiting so long, it would be ruder by far if I leave my lady unpartnered for the second dance as well as the first. Please extend my apology to the messenger for my unfortunate delay and see that he is made comfortable with food and drink. Tell him that I’ll come to the study directly after the second dance.” I had no wish to do so. The festivities beckoned tonight. A better idea came to me. “No! Invite him to join the festivities. Tell him to enjoy himself, and that we will sit down together before noon tomorrow.” I could think of nothing in my life that could possibly be so pressing as to demand my attention tonight.

“Her, sir.”

“Revel?”

“Her. The messenger is a girl, sir. Scarcely a woman, by the look of her. Of course, I have already offered her food and drink. I would not so neglect anyone who came to your door. Let alone one who seems to have come a long and weary way.”

Music was playing and Molly was waiting. Better the messenger wait than Molly. “Then offer her a room, and ask if she would like a hot bath drawn or a quiet meal alone before we meet tomorrow. Do your best to see she is comfortable, Revel, and I will give her as much of my time as she wishes tomorrow.”

“I shall, sir.”

He turned to go back to the entrance hall, and I hastened to the Great Hall of Withywoods. The two tall doors stood open, the golden oak planks gleaming in firelight and candlelight. Music and the tap and slap of dancing feet spilled into the paneled corridor, but just as I drew near the musicians played the last refrain and with a shout the first dance was over. I rolled my eyes at my ill luck.

But as I stepped into the hall, breasting the wave of applause for the minstrels, I saw that Molly’s dance partner was bowing gravely to her. My stepson had rescued his mother and taken her to the floor. Young Hearth had been growing like a weed for the past year. He was as darkly handsome as his father, Burrich, had been, but his brow and smiling mouth were Molly’s. At seventeen he could look down at the top of his mother’s head. His cheeks were flushed with the lively dance, and Molly did not appear to have missed me even a tiny bit. As she looked up and her eyes met mine across the hall, she smiled. I blessed Hearth and resolved that I would find a substantial way to convey my thanks to him. Across the room, his older brother, Just, lounged against the hearth. Nettle and Riddle stood nearby; Nettle’s cheeks were pink and I knew Just was teasing his older sister, and Riddle was in on it.

I made my way across the room to Molly, pausing often to bow and return greetings to our many guests who hailed me. Every rank and walk of life was reflected there. The gentry and minor nobility of our area were there, finely dressed in lace and linen trousers; Tinker John and the village seamstress and a local cheesemaker were there as well. Their festive garments might be a bit more dated, and some were well worn, but they had been freshly brushed for the occasion and the shining holly crowns and sprigs that many wore were newly harvested. Molly had put out her best scented candles, so the fragrances of lavender and honeysuckle filled the air even as the dancing flames painted the walls with gold and honey. Grand fires blazed in all three hearths, with spitted meats tended by red-­faced village lads employed for the occasion. Several maids were busy at the ale keg in the corner, topping mugs on the trays they would offer to the breathless dancers when the music paused.

At one end of the room, tables were laden with breads, apples, dishes of raisins and nuts, pastries and creams, platters of smoked meats and fish, and many another dish I didn’t recognize. Dripping slices of fresh-­cut meat from the roasts on the spits supplied all that any man could ask for, and added their rich fragrance to the festive air. Benches were filled with guests already enjoying food and drink, for there was also beer and wine in plenty.

At the other end of the room the first minstrels were yielding the stage to the second group. The floor had been strewn with sand for the dancers. Undoubtedly it had been swept into elegant patterns when the guests first arrived, but it now showed the busy tread of the merrymakers. I reached Molly’s side just as the musicians swept into their opening notes. This tune was as pensive as the first had been jolly, so as Molly seized my hand and led me to the dance floor, I was able to keep possession of both her hands and hear her voice through the melody. “You look very fine tonight, Holder Badgerlock.” She drew me into line with the other men.

I bowed gravely over our joined hands. “If you are pleased, then I am content,” I replied. I ignored the flapping of fabric against my calves as we turned, parted briefly, and then clasped hands again. I caught a glimpse of Riddle and Nettle. Yes, Riddle wore the same sort of flapping trousers, in blue, and he held my daughter not by her fingertips but by her hands. Nettle was smiling. When I glanced back at Molly, she was smiling, too. She had noted the direction of my glance.

“Were we ever that young?” she asked me.

I shook my head. “I think not,” I said. “Life was harsher for us when we were that age.”

I saw her cast her thoughts back through the years. “When I was Nettle’s age, I was already the mother of three children and carrying a fourth. And you were . . .” She let the thought trail away, and I did not speak. I had been living in a little cabin near Forge with my wolf. Was that the year I had taken in Hap? The orphan had been glad of a home, and Nighteyes had been glad of livelier company. I had thought myself resigned, then, to losing her to Burrich. Nineteen long years ago. I pushed the long shadow of those days aside. I stepped closer, put my hands to her waist, and lifted her as we turned. She set her hands to my shoulders, her mouth opening in surprise and delight. Around us, the other dancers gawked briefly. As I put her back on her feet, I observed, “And that is why we should be young now.”

“You, perhaps.” Her cheeks were pink and she seemed a bit breathless as we made another promenade and turned, parted then rejoined. Or almost rejoined. No, I should have turned again and then . . . I’d hopelessly muddled it, just as I’d been taking great pride that I recalled every step from the last time we had danced this. The other dancers avoided me, parting to flow past me as if I were a stubborn rock in a creek. I spun in a circle, looking for Molly, and found her standing behind me, her hands lifted in a useless attempt to contain her laughter. I reached for her, intending to insert us back into the dance, but she seized both my hands and pulled me from the floor, laughing breathlessly. I rolled my eyes and tried to apologize but, “It’s all right, dear. A bit of rest and something to drink would be welcome. Hearth wore me out earlier with his prancing. I need to sit down.” She caught her breath suddenly and swayed against me. Her brow glistened with perspiration. She set her hand to the back of her neck and rubbed it as if to relieve a cramp.

“And I the same,” I lied to her. Her face flushed, she smiled faintly at me as she pressed her hand to her breast as if to calm her fluttering heart. I smiled back at her and took her to her chair by the hearth. I had scarcely seated her before a page was at my elbow, offering to bring her wine. She nodded and sent him scampering.

“What was that, stitched all round his cap?” I asked distractedly.

“Feathers. And locks of hair from horse tails.” She was still breathless.

I looked askance at her.

“It was Patience’s fancy this year. All the boys she hired from Withy to act as pages for the holiday are dressed so. Feathers to bid all our troubles take flight, and horse tail hairs, which is what we will show to our problems as we flee them.”

“I . . . see.” My second lie of the evening.

“Well, it’s good that you do, as I certainly don’t. But every Winterfest, it’s something, isn’t it? Do you remember the year that Patience handed out greenwood staffs to every unmarried man who came to the festival? With the length based on her assessment of his masculinity?”

I bit down on the laugh that threatened to escape. “I do. Apparently she thought the young ladies needed a clear indication of which men would make the best mates.”

Molly lifted her brows. “Perhaps they did. There were six weddings at Springfest that year.”

My wife looked across the room. Patience, my stepmother, was dressed in a grand old gown of pale-­blue velvet trimmed with black lace at the cuffs and throat. Her long gray hair had been braided and pinned to her head in a coronet. She had a single sprig of holly in it, and several dozen bright-­blue feathers stuck in at all angles. A fan dangled from a bracelet at her wrist; it was blue to match her gown and feathers, and also edged with stiffened black lace. She looked both lovely and eccentric to me, as she always had. She was wagging a finger at Molly’s youngest, warning him about something. Hearth stood straight, looking solemnly down at her, but his clasped fingers fidgeted behind his back. His brother Just stood at a distance, concealing his grin and waiting for him to be released. I took pity on them both. Patience seemed to think they were still ten and twelve, despite how they towered over her. Just was barely short of his twentieth birthday, and Hearth was Molly’s youngest at seventeen. Yet he stood like a scolded boy and tolerantly accepted Patience’s rebuke.

“I want to let Lady Patience know that more of her minstrels have arrived. I hope this is the last batch of them. Any more and I suspect they’ll be coming to blows over who gets to perform and for how long.” Any minstrels invited to perform at Withywoods were assured of meals and a warm place to sleep, and a small purse for their efforts. The rest of their rewards were won from the guests, and often the musicians who performed the most reaped the greatest gain. Three sets of musicians were more than ample for a Winterfest at our holding. Four would be a challenge.

Molly nodded. She lifted her hands to her rosy cheeks. “I think I’ll just sit here a bit longer. Oh, here’s the lad with my wine!”


From the Hardcover edition.

Most helpful customer reviews

144 of 157 people found the following review helpful.
What all of us Fools have been waiting years to read!
By C. Klaassen
This work certainly justifies Ms. Hobbs return to the world of the Six Duchies.* This novel is a delight from opening page to concluding chapter. Ms. Hobb very cleverly fills in the back story of the years the characters have spent without us while still moving the story gently forward. The first half of the book is quietly character driven and the last half picks up speed to leave the reader breathless in anticipation for the next novel. Very, very clever pacing. Fitz returns to us fully fleshed and is the primary POV character for the first half of the book, then, amazingly enough, we are introduced to a second POV character who carries about half of the rest of the book. And, they carry it onward quite well indeed. Bits of this novel will simply break your heart, about half way in I sat down and just sobbed and I am not a crier. This story is so touching on so many levels but also manages to be thoroughly enjoyable. I am not going to give any hints about the story within, just assure any fan of Ms. Hobbs work that this book stands up to the best of her previous efforts. I highly recommend reading her prior novels based in this sector of the world** before taking on this book, they add so much to the experience.

Bravo Ms. Hobb, it is so nice to see you back in such fine form!

Highly Recommended.

*For the record I was not a fan of her resuming the story of Fitz and the Fool. I wanted our beloved Fitz to be safe and sound and live the remainder of his life with Molly, Nettle and Burrich's boys. I was clearly wrong.

**Assassin's Apprentice begins the work and Fool's Fate ends it for all reasonable purposes - the Mad Ship series fits in the middle but is not required reading - and the Rains Wild Chronicles fit between this book and Fools Fate but are not up to the level of the prior works IMHO.

52 of 55 people found the following review helpful.
I can't remember the last time I felt so torn about a book, and so conflicted about a review.
By Bob Milne
I can't remember the last time I felt so torn about a book, and so conflicted about a review. This was one of my most anticipated reads of the year, and I really wanted to enjoy it. In fact, compared to my usual reading pace, I spent a great deal of time in the world that Robin Hobb created - and while I did enjoy aspects of it, I have to be honest in that most of my time was spent waiting for aspects to enjoy. It's a testament to Hobb's writing (and to Fitz's legacy) that I was able to exhibit such patience. Looking back, the closest analogy I can think of is watching a chess game between tournament masters - fascinating, challenging, and admirable, but hardly riveting.

Fool's Assassin may be labeled book one of the Fitz and the Fool Trilogy, but it's really an extended prologue of over 500 pages, followed by an opening chapter of about 80. That is to say there's a lot of talking, a lot of speculating, a lot of worrying, but not a lot of action. In fact, there are only a handful of scenes where anything of consequence takes place, and most of them are rushed together in those final 80 pages. It's hard to talk about them without getting into spoiler territory, but I will say the resolution of Molly's pregnancy is genuinely surprising, and those of you anxious for a reunion between the characters of the title will be waiting a very long time.

Hobb's writing is gorgeous, as always, and it's easy to fall into the cadence and rhythms of her story. Initially, it felt like no time at all had passed since the last trilogy, allowing me to become lost in the world of Fitz all over again. It was truly marvelous. However, around the halfway mark I really began to feel the lagging pace, with the story slow going, but somehow still compelling. I genuinely doubt it would have worked if I weren't already so familiar with Fitz, and invested in seeing where his second life might take him. The problem is, Fitz wasn't Fitz. Yes, his personality was there, and I know Hobb was trying to show us how far he had distanced himself from his past, but I have a hard time believing he could become so lazy, so gullible, so careless, and so insecure.

As for the other characters, that's a sore spot for me. Characters that we know and love, like Chade and Kettricken, are but pale imitations of their former selves. New characters, like FitzVigilant and Shun, are as shallow as they are annoying, while the most significant new addition (whose identity I refuse to spoil) is far too cold and awkward to ever embrace as a character, much less a narrator. Molly started out with some real potential, but soon became an extended plot device, and as fascinating as his (small) piece of the story is, we hardly get a chance to know the Fool.

The opening scenes were fantastic, and I really expected the story to take off from there, but we're subjected to endless chapters of dancing, talking, dressing, shopping, dreaming, complaining, and musing. It took forever to come back to that potential and, when we finally did, it was a race to the finish with a cliffhanger that reeks of desperation. I will absolutely give the next book a read, but Fitz had damned well better return to his old self, and there had better be a significant payoff for all the time we've invested in tolerating that character/narrator I have been so careful not to spoil.

Fool's Assassin is for hardcore fans only, and even then I suspect it will be something of a polarizing tale. Then again, maybe it's just me. The book does have a plethora of 5-star reads, so I'll be curious to see how the readers and reviewers I respect most react to the read.

60 of 64 people found the following review helpful.
The series we've been waiting for!
By Nicole Hewitt
I cannot even begin to tell you how excited I was to see that Hobb was writing a new book about Fitz! As much as I have loved all of her books, the Farseer Trilogy and the Tawny Man Trilogy have always held a special place in my heart. I couldn't wait to see what Hobb had in store for Fitz (and the Fool!) next!

Let me start by saying that you really need to read both the Farseer Trilogy and the Tawny Man Trilogy before you tackle this book. Even though it's technically the start to a new series, it's definitely a continuation of those other two. In fact, I needed to go back and found recaps of the first six books to refresh my memory because it's been so many years since I read them. I actually think that I should go back and re-read both series, but I obviously haven't done it yet.

Fool's Assassin starts up about 10 years after Fitz and the Fool parted ways. Fitz is now living a peaceful life with Molly, having escaped all of the danger of his old existence as an assassin. The one thing missing from his life is the Fool - he hasn't heard from him at all since the Fool left him. Most of the book actually takes place in during this peaceful period in Fitz's life (part of what is described in the synopsis happens right away, but it really isn't picked up again till toward the end of the book). Still, fans of Hobb's previous series will love this new chapter in Fitz and the Fool's story!!

What I LOVED:

Fitz!
Fitz has always been one of my favorite characters ever. Even though he is often infuriatingly imperfect, there will always be a spot in my heart for this character. In the first six books, I ached with him over his loss of Molly, so I loved seeing him with her at last. But I also loved that his "perfect" life is still bittersweet because of the loss of the Fool - he has in no way forgotten him, and we see that his love for the Fool truly runs as deep as his love for Molly. Fitz's relationship with a new character (see my next point!) only makes my love for him stronger!

A new POV.
A new character is introduced in this book, and we get to see Hobb's world through her eyes. I don't even want to say who the new character is because I feel like it would be spoiling things, but she is a pivotal character with ties to both Fitz and the Fool. The Fool himself doesn't make an appearance until late in this book, but I felt like this new character bridged that gap in a lot of ways (even if Fitz didn't seem to acknowledge that for some reason!). Again, I want to say more, but I feel like it would be spoiling things - so I'll just say that I was incredibly emotionally invested in this new character and where her story was headed.

The ending.
The last ten or fifteen percent of this book really picked up (see my one negative below) and I couldn't believe some of the things that were happening!! I was riveted and in tears, wondering if at least one of my beloved characters wasn't going to make it through alive. Plus, I still can't stop thinking about the very ending and what it all means. I have so many questions spinning through my head and I NEED to know what will happen next!

The negatives:

Not a lot of action.
This book felt very much like a bridge book between the old trilogies and this new series. A good portion of the book dwells on Fitz' feelings about the Fool, Molly, Chade and a new character that I don't want to spoil. It explores his new settled life now that he's no longer FitzChivalry the assassin. Despite what the synopsis says, not much actually happens until the end of the book. Because I was already so invested in these characters, I didn't get bored at all (but some people might) - it was actually perfect for me because I needed the reminders about what had happened in those first six books and I was happy to settle in with Fitz (who I've always loved) and the new character (who I loved based on her associations with Fitz and the Fool). But don't expect this book to be as action-packed as some of Hobbs' other books.

Fool's Assassin is a character-driven fantasy that will transport you back into the lives of beloved characters. If you're a fan of Hobb, you won't be disappointed! I give it 4/5 stars.

***Disclosure: This book was provided to me by NetGalley and the publisher in exchange for an honest review. No other compensation was given. All opinions are my own***

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Four Great Plays , by Henrik Ibsen, by Henrik Ibsen

  • Sales Rank: #7537014 in Books
  • Published on: 1959
  • Number of items: 1
  • Binding: Paperback

Most helpful customer reviews

0 of 0 people found the following review helpful.
The plays were much better than I had anticipated and I thoroughly enjoyed A ...
By dp
The plays were much better than I had anticipated and I thoroughly enjoyed A Doll's House in particular. I have not read all 4, but can say that Ghosts and Hedda Gabler were good too.

7 of 23 people found the following review helpful.
Four classic plays from Ibsen
By A Customer
Actually, I've only read two of these plays before but I did
want to list the names of the four included in this volume:
A Doll's House;
Ghosts;
Hedda Gabler;
The Master Builder.

Masterful social drama (to sound like a back-of-the-book blurb).
Seriously though, Ibsen's plays are wonderful.

3 of 4 people found the following review helpful.
Four Ibsen plays constituting a marvelous case study
By Lawrance Bernabo
Henrik Ibsen's creation of "modern theater" makes him one of the most influential playwrights, along with William Shakespeare and Samuel Beckett, in the history of drama. This unique collection of the four plays he wrote between 1879 and 1884 provides teachers of drama/literature with an opportunity to look at a major writer trying to develop his craft. Ibsen is concerned with social criticism and each of these plays reflects his change in perspective as he tries to write a drama that will be both socially relevant and commercially successful. You have to remember the time and place that considered it shocking for Nora to leave her husband or for Mrs. Alving to consider euthenasia for her son. By turning to "comedy" (of a sort) in "An Enemy of the People," Ibsen found a way of making his point in a manner more acceptable to his audiences. By looking at not only the plays but how each was received by the public, teachers/students can better appreciate what Ibsen was trying to do with each successive play.
For all four of these plays the notion of responsibility is primary. In "A Doll's House" Nora Helmer decides to leave her husband because he is unworthy of her love. In "Ghosts," Mrs. Alving has to decide whether she should give her diseased son poison as a mercy killing. In "An Enemy of the People," Dr. Stockmann decides to stay and fight to have the infected baths repaired even after the town ostracizes him. Finally, in "The Wild Duck" the idealist Gregers Werle comes home and destroys a family by insisting the truth be told. A classroom set of this particular volume is relatively inexpensive and provides an excellent case study of the growth of a major writer. Students do not often get the opportunity to read several works by the same writer. Shakespeare is the exception to this rule, but usually students are exposed to different types of plays (comedy, tragedy, history) rather than to a series of consecutively written plays.

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[E136.Ebook] Free PDF The Grand Duke, by Yann

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The Grand Duke, by Yann

Collects issues #1-6.

On the Eastern Front during World War II, Oberleutnant Wulf, a young Luftwaffe pilot, is horrified by Nazi barbarism and at odds with his fellow pilots, even as he finds himself taking to the skies to fight the infamous 'Night Witches,' the 588th Night Bomber Regiment, the most decorated female unit in the Soviet Air Force. Motivated only by his desire to return home to his daughter, Romy, Wulf tries to survive the increasingly desperate and ferocious Eastern Front, while Lilya, the 'Red Witch,' leads her comrades against the German invaders.

  • Sales Rank: #324290 in eBooks
  • Published on: 2012-11-21
  • Released on: 2012-09-26
  • Format: Kindle eBook

About the Author
Yann was born in Marseille in 1954. He began his career in advertising and architectural design before sinking into the world of comics with material for the student newspaper Balak Spirou in 1974. After a brief stint at Curiosity Magazine, he partnered with Conrad to create Innommables, published by Dargaud, and then Bob Marone published by Glénat. The prolific author eventually abandoned illustration (except for the occasional sketch or thumbnail) to concentrate purely on writing, and he has penned innumerable works illustrated by some of the greatest French and European artists, including Yslaire (the first episode of Sambre), Yves Barge (Freddy Lombard), Morris (Lucky Luke), René Hausman (Aire Libre) and Wozniak (Star Chasers)

Most helpful customer reviews

4 of 4 people found the following review helpful.
This is why I keep buying comic books
By Corz
I read way too many comics and really get tired of them sometimes. But occasionally I buy one like Grand Duke that's so good I have to keep looking for more.

Like other reviewers mentioned, the artist specializes in historic planes. He does an amazing job on not just those but on people and landscapes too. The splash pages are perfectly drawn and placed. The icing on the cake is the story and dialogue are awesomely realistic. I was engaged. It even has little hints of mysticism, fantasy, fate, etc. I had to reread a few sections to fully appreciate all the details and imagery. This book exceeds all expectations.

(The only minor flaw is the nudity is a little fan servicey, a little pinup girly vs. the rest of the book's realism. Uhh, again, that's a MINOR complaint for male readership.)

2 of 2 people found the following review helpful.
GRAND INDEED
By Steven M. Lemons
This is one of the most beautiful books that I have ever seen. Let this guy illustrate the next Marvel or DC event and let the mainstream comics fans see artwork every bit as good as Alex Ross best work. A very compelling, human story set amidst the horrors of WW2. "Night Witches" — the 588th Night Bomber Regiment. The all female unit of the former U.S.S.R. against the deadly Luftwaffe. Keep an eye out for the artist Romain Hugault.

1 of 1 people found the following review helpful.
The complete collection...
By Charles D. Gilliland
For those who were wondering, this volume contains all three volumes (which are also available, but untranslated) of The Grand Duke translated into English.

The Grand Duke follows the experiences of a Luftwaffe and Soviet air aces -- and their convoluted interactions with each other and their respective comrades and superiors, as well as their respective fortunes.

The artwork is outstanding, especially the depiction of the type planes each flew or rode in, and with the full color artwork, this is a volume that one can simply enjoy for the pictures as well as the story it chooses to tell. Especially concerning the air-war on the Eastern Front.

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Senin, 22 November 2010

[Y369.Ebook] Free Ebook An Unexpected Cookbook: The Unofficial Book of Hobbit Cookery, by Chris-Rachael Oseland

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An Unexpected Cookbook: The Unofficial Book of Hobbit Cookery, by Chris-Rachael Oseland

When a second generation geek with multiple degrees in history grows up to be a professional cookbook writer, it's no surprise you end up with a lovingly researched book of Hobbit cookery.

Inside these pages you'll find one chapter for each traditional Hobbit meal. In addition to being based on historic recipes revised to fit Tolkien's specific vision of the Shire, the dishes have the following themes.

- Breakfast - hot, fast, traditional morning food
- Second Breakfast - cold, sturdy pies full of meat, veg and fruit to fuel a small adventure
- Elevenses - a hearty selection of breads to tide you over until Luncheon
- Luncheon - lighter fare appropriate for a pub
- Afternoon Tea - sweet biscuits, cakes and buns to accompany a caffeinated pick-me-up
- Supper - a hot meal of meat, veg, and mushrooms with a sweet finish
- Dinner - slow cooked roasts and puddings that take hours to make, but are well worth the wait


To make sure there's a place for everyone around our geeky table, the index is broken up by dietary restrictions, with

- 11 Paleo/Primal friendly recipes
- 19 Gluten Free friendly recipes
- 20 Vegan friendly recipes (which happen to be kosher and halal)
- 40 Vegetarian friendly recipes (including the vegan ones)


Whether you want to make an epic dinner fit for a king or bring a little period flair to a geeky gathering, you'll find something in these pages for every Tolkien fan.

You can preview 10 recipes from the cookbook at Kitchen Overlord:

http://kitchenoverlord.com/tag/hobbit-week/

  • Sales Rank: #60812 in eBooks
  • Published on: 2015-05-06
  • Released on: 2015-05-06
  • Format: Kindle eBook

Most helpful customer reviews

90 of 91 people found the following review helpful.
A book you can actually cook with
By E. S. Zitron
A really well-researched book with recipes I will actually make. THE HOBBIT is a favorite of mine and I'm always worried when people try to make a buck off of a trend or something well-loved. The author clearly knows her stuff. It's not just food with Bilbo's name slapped on it. This is a historically-accurate book, with food you can still easily cook, that connects the food and appreciation for food in THE HOBBIT to Tolkien's own experiences growing up on rations. It's an amazing concept. The photos are stunning. The food is very comfort-driven. She also offers alternatives for gluten-free folks, vegans, and others with food preferences. Love it!

25 of 26 people found the following review helpful.
I'd recommend it to anyone who likes Tolkien
By torygy
Usually when I get a cookbook I just skim through the recipes, but when An Unexpected Cookbook came in the mail I sat down and read through every recipe step by step. Not only am I excited to make some delicious Hobbit inspired meals from these recipes, but I also learned a whole lot about Victorian-era food and cooking, and what types of things Tolkien would have eaten throughout his life. There's a lot of personality and humor mixed in throughout the steps of the recipes, which makes them more entertaining to read than any cookbook I've encountered before. The suggestions for how to reuse leftovers in other recipes is also a plus. This is a really cute and engrossing cookbook! I'd recommend it to anyone who likes Tolkien!

21 of 21 people found the following review helpful.
Aside from being well researched and filled with great content, the book is just down right pretty
By Emily Pennock
Aside from being well researched and filled with great content, the book is just down right pretty. The photographs are amazing! I find myself reading it like I would a novel! There is an amazing attention to detail in the historical content. It holds true to Tolkien's vision.

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Minggu, 21 November 2010

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Java Threads and the Concurrency Utilities, by JEFF FRIESEN

This concise book empowers all Java developers to master the complexity of the Java thread APIs and concurrency utilities. This knowledge aids the Java developer in writing correct and complex performing multithreaded applications.
Java's thread APIs and concurrency utilities are among its most powerful and challenging APIs and language features. Java beginners typically find it very difficult to use these features to write correct multithreaded applications. Threads and the Concurrency Utilities helps all Java developers master and use these capabilities effectively.

This book is divided into two parts of four chapters each. Part 1 focuses on the Thread APIs and Part 2 focuses on the concurrency utilities. In Part 1, you learn about Thread API basics and runnables, synchronization and volatility, waiting and notification, and the additional capabilities of thread groups, thread local variables, and the Timer Framework. In Part 2, you learn about concurrency utilities basics and executors, synchronizers, the Locking Framework, and the additional capabilities of concurrent collections, atomic variables, and the Fork/Join Framework.
Each chapter ends with select exercises designed to challenge your grasp of the chapter's content. An appendix provides the answers to these exercises. A second appendix explores how threads are used by various standard class library APIs. Specifically, you learn about threads in the contexts of Swing, JavaFX, and Java 8's Streams API.
What You Will Learn
• How to do thread runnables, synchronization, volatility, waiting and notification, thread groups, thread local variables, and the Timer Framework• How to create multithreaded applications that work correctly.• What are concurrency utilities basics and executors• What are synchronizers, the Locking Framework, concurrent collections, atomic variables, and the Fork/Join Framework and how to use them• How to leverage the concurrency utilities to write more complex multithreaded applications and achieve greater performance• How to apply thread usage in Swing, JavaFX, and Java 8 Streams API contexts
Audience
The primary audience is Java beginners and the secondary audience is more advanced Java developers who have worked with the Thread APIs and the Concurrency Utilities.

  • Sales Rank: #1463870 in Books
  • Published on: 2015-12-15
  • Released on: 2015-12-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .50" w x 6.10" l, .75 pounds
  • Binding: Paperback
  • 200 pages

From the Back Cover
Threads and the Concurrency Utilities helps all Java developers master the complexity of Java's Thread APIs and Java's Concurrency Utilities. This knowledge aids the Java developer in writing correct and performant multithreaded applications.

  • Everything you want to know about Java's support for threads and concurrency in one place.
  • Chapter exercises designed to reinforce chapter content and help the reader retain knowledge.
  • Lambdas, the try-with-resources statement, and other modern language features are present.
  • Standard Class Library use of threads in Swing, JavaFX, and Java 8 Streams API contexts explained.
  • The author Jeff Friesen is an accomplished Java expert, JavaWorld columnist, books author and much more.

About the Author
Jeff Friesen is a freelance tutor, author, and software developer with an emphasis on Java, Android, and HTML5. In addition to writing this book, Jeff has written other books on Java and Android for Apress, and numerous articles on Java and other technologies for JavaWorld, informIT, java-dot-net, SitePoint, and others.

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